Yug Ki Chunotiya Aur Nari Shakti

Here's a comprehensive summary of the provided Jain text, "Yug ki Chunotiya aur Nari Shakti" by Pratibha Ghelot, focusing on its key themes and arguments:

The text, "Yug ki Chunotiya aur Nari Shakti" (Challenges of the Era and Women's Power), by Pratibha Ghelot, asserts that the current era is one where women are taking center stage. It highlights that education has opened up the intellectual capabilities of women, enabling them to realize their true existence. While societal views towards women have evolved, their inherent qualities have always been valued and recognized across different ages.

The author emphasizes the dual nature of humanity, stating that both men and women are distinct entities with their own identities and self-worth. They are presented as complements to each other, highlighting the interdependence between the sexes. The text uses the analogy of two plants growing from the same seed, born from the same mother, to question the perceived difference between the "weak" and the "strong."

The text celebrates women's achievements in various fields such as education, literature, sports, and business, underscoring their ability to set new benchmarks. It positions women as the "mother of the world" and the "pride of culture," citing the ancient saying that "a good mother is equal to a hundred teachers." Historical figures like Mata Trishala (mother of Mahavir) and Kausalya (mother of Ram) are presented as exemplars of motherhood, and Mahasati Sita, who defeated Ravana through her inner strength, is a role model for all women.

A significant point made from a Jain perspective is the mention of the 19th Tirthankara, Lord Mallinath, who was a female. This is used to illustrate that women are capable of achieving their highest potential and ultimate liberation. The text reiterates that men and women are two forms of creation with no inherent difference in their internal capabilities.

Historical figures like Rani Lakshmibai and Rani Padmavati are cited as testaments to women's strength, alongside the global influence of India's former Prime Minister Indira Gandhi. The text also acknowledges the contributions of women like Meerabai, Panna Dhai, and Mother Teresa in the fields of devotion, service, and philanthropy. Women's involvement in religious, administrative, and social roles has led to the expansion of immense work.

The author posits that women are a boon to society, and the realization of noble aspirations signifies women's empowerment. It is argued that if women unite their collective strength, they are capable of shaking the world. Durga, Lakshmi, and Saraswati are identified as the three forms of feminine power that the entire world venerates. The ancient and popular saying, "Where women are respected, divinity resides there" is quoted, reinforcing the idea that women are objects of reverence, worship, and sustenance (Annapurna). They are described as repositories of beauty, tenderness, affection, and grace.

The text strongly refutes the notion of calling a woman "abala" (weak), deeming it a severe insult. It playfully reinterprets "abala" to mean one from whom all troubles stay away. The text contrasts a past era of awakened and responsible women with a period of indifference where women's roles were confined to domestic duties, childcare, and being objects of pleasure. It suggests that women's tolerance inadvertently emboldened men.

However, the narrative emphasizes a significant shift in the current era, with changed thoughts and beliefs. Women have moved beyond the confines of their homes, reaching schools, colleges, hospitals, and even space, as exemplified by Sunita Williams' space journey, which brought pride to all of humanity. This awakening has paved the way for progress.

The second part of the text, attributed to Meghraj Shrimali, titled "Ajanni Maa ki Guhaar" (A Plea from an Unborn Mother), reinforces the idea that women possess the same power and consciousness as men. It calls upon women to recognize their own brilliance and potential to contribute to the progress of life, family, society, and the nation. Women are encouraged to showcase their hidden talents and excel in every field of progress. The author urges women to not rely solely on male efforts but to bring forth their own capabilities.

The text then addresses women directly, calling them fortunate to be a part of this era of development. It highlights that the nation's and society's progress is fueled by their efforts. The seeds of future success are present, requiring only self-confidence and inner light. Women are identified as the strength of the nation and society. While acknowledging the primary responsibility of family, it stresses the need for women to advance with wisdom and intellect in the expansion of education, civilization, and culture.

The author urges women to go beyond ceremonies and social service, taking on a distinct role in shaping the future generation in this changing environment. This is presented as their primary area of work. It is their responsibility to critically evaluate traditions within their homes, resist the infiltration of Western culture, immediately control undesirable influences, and avoid the pursuit of modernity in the name of development. Cultural erosion is identified as a major concern that women must play a crucial role in preventing. Fulfilling these duties with awareness is presented as a symbol of women's strength.

The poem at the end, attributed to C-201, Jawahar Enclave, Jawahar Nagar, Jaipur, expresses the longing of an unborn daughter. She awaits her birth, yearning to see her mother's face, adorn the earth, and bring joy and continuation to the family lineage. The poem poses rhetorical questions about who will fulfill these roles if she is not born. It highlights the indispensable role of daughters in celebrating festivals, performing rituals (like the Yajna without a wife), and nurturing future generations, ultimately questioning the existence of men without women. The unborn daughter pledges to be the foundation of the world and a loving mother, thus beautifying the earth.