Tristuti Paramarsh - Book Summary

The Jain text "Tristuti Paramarsh" by Shantivijay, published by Jain Shwetambar Sangh, is a detailed commentary and rebuttal of arguments presented in various Jain pamphlets and books. The central theme revolves around the "Tristuti" (three praises/groups of hymns) and the "Chaturth Stuti" (fourth praise/group of hymns), a point of contention within the Jain community, particularly between the Shwetambar and Digambar sects.

The book systematically addresses specific points raised in other Jain publications, often in a question-and-answer format. It defends the practices and beliefs of the Shwetambar tradition, particularly as interpreted by Muni Shantivijayji, while refuting claims made by what appear to be opposing viewpoints within Jainism.

Here's a breakdown of the key themes and arguments discussed in the text:

1. Defense of the Four Stuti (Chaturth Stuti):

A significant portion of the book is dedicated to refuting arguments against the four-stuti tradition. The author asserts that the four-stuti practice is ancient and has been upheld by prominent Jain acharyas like Haribhadrasuri, Kalikacharya, and Dharmakirtisuri.
He argues that these acharyas did not introduce anything new but rather reaffirmed existing traditions.
The text provides scriptural references and interpretations to support the antiquity and validity of the four stutis.

2. Rebuttals of Specific Arguments: The book meticulously addresses points raised in several referenced texts, including:

Prashnottar Patrika (Question and Answer Pamphlet): This seems to be a primary target of the author's critique. He debates points concerning the status of acharyas like Vajraswami, Devardhigani Kshamashraman, Jinvallabhasuri, and Hirvijayasuri, arguing that their teachings should be followed if they align with scripture. He refutes claims about the origins of certain practices.
Shramanyarahasya (Secrets of Asceticism): The author defends the poetry and philosophical depth of acharyas like Rupvijaya and Virvijaya, calling their verses like "formulas of principles."
Paryushan Nirnay Patrika (Decision Pamphlet on Paryushan): This pamphlet is criticized for its claims regarding the timing of Paryushan and for misinterpreting the author's views. The author defends his stance on the timing of Paryushan, referencing scriptural texts.
Jain Tattvadarsha (Jain Principles): The author clarifies that the book does not advocate for "Trithui" (three praises) during Pratrikraman (a specific Jain ritual), stating that this practice was meant for temple rituals and not for Pratrikraman. He also clarifies the meaning of the word "Koti" and defends the author's interpretation.
Tristuti Prachinta (Antiquity of Three Praises): This book is heavily critiqued. The author argues against its claims that the four-stuti tradition is recent and that it was introduced by Rajendrasuri. He defends the "Pitambar" (yellow-clad) tradition, highlighting its scriptural basis and the influence of its adherents in stopping the spread of the three-stuti practice in certain regions.

3. Clarification of Jain Practices and Rules:

Wearing of Shoes (Mouze) and Going for Alms in Light Rain: The author defends the practice, citing scriptural passages from Pravachanasarodhara and Kalpasutra that permit the use of leather for protection and that ascetics can go for alms in light rain, covered with a blanket.
Wearing of Muhapatti (Face Cloth): The author argues that wearing a Muhapatti while lecturing is not explicitly mentioned in Jain scriptures. He interprets scriptural passages to suggest that the Muhapatti was primarily for hygiene and protection during cleaning or when flying insects were present, not necessarily to be tied during lectures.
Wearing of Colored Clothes: The author defends the practice of coloring clothes with natural dyes, citing Nishihta Sutra, which allows for this.
Use of Railways: The author defends the use of trains by monks for religious purposes, arguing that if traveling by boat (water travel) is permitted, then train travel (land travel) is also acceptable, especially for spreading the Jain faith. He compares it to the use of palanquins and ox-carts, suggesting that the intention (irtue) is key.
Taking Alms (Gochari): He discusses the rules related to gochari, including the acceptance of food from householders and the timing of meals.
Use of Teeth Brushes/Dentures: The author defends the use of dentures as a means of self-protection and maintaining health, essential for spiritual practice.
Donation and Sponsorship: The book acknowledges the patrons who sponsored its publication.

4. Adherence to Scripture and Tradition:

The author repeatedly emphasizes the importance of following the original teachings of the Tirthankaras and Ganadharas.
He criticizes those who deviate from scriptures or rely solely on tradition without scriptural backing.
He stresses that when scripture and tradition conflict, scripture should prevail.

5. Defense of His Own Writings and Reputation:

The author actively defends his own writings, such as "Manav Dharm Samhita" and "Tristuti Paramarsh," against criticisms.
He argues that his writings are based on scriptural evidence and are intended to clarify misunderstood aspects of Jainism.
He welcomes challenges to his arguments, stating that he is prepared to provide further scriptural evidence.

6. Criticism of Opponents:

The author uses strong language to criticize those whose views he opposes, labeling them as ignorant, biased, or misinterpreting scriptures.
He accuses some opponents of fabricating arguments or relying on unsubstantiated traditions.

Overall Purpose:

"Tristuti Paramarsh" serves as a defense of the Shwetambar Jain tradition, specifically the four-stuti practice, against perceived criticisms and misinterpretations from other Jain factions. It aims to clarify doctrinal points, uphold the authority of Jain scriptures, and refute opposing arguments with scriptural evidence and logical reasoning. The book is a testament to the intellectual debates and scholarly efforts within Jainism to maintain doctrinal purity and address contemporary challenges to tradition.