Stutyatmaka Sat Laghu Krutio - Book Summary

Here's a comprehensive summary of the Jain text "Stutyatmaka Sat Laghu Krutio" by Dhurandharvijay, based on the provided pages:

The book "Stutyatmaka Sat Laghu Krutio" (Seven Praiseworthy Short Compositions) compiled and edited by Muni Shri Dhurandharvijayji, presents a collection of seven short devotional works (stutis) that were discovered by him within his personal collection. These compositions, dating back to the seventeenth century, are presented in a readable format and were previously unpublished and collected on a single page.

The introductory section provides a brief overview of each of the seven compositions:

Mangalpur - Mangrol (Present-day Mangrol) Situated Navapallav Parshvanath's Stuti: This is a pair of verses praising the Parshvanath deity at Navapallav in Mangalpur. Despite being only four verses long, it is noteworthy for its variety of meter. The author is unknown.
Shri Ravishagar - Composed Magsi (Makshi) Parshvanath Stavan (Containing the word 'Kutumb'): This is a song-like composition praising the Parshvanath deity at Magsi. The author, mentioned in the colophon, uses words related to family members (like 'mata', 'baba', 'mama', 'mami', 'bhai', 'bahin', 'sasur', 'sali', 'derani', 'jetani') to illustrate the futility of worldly family relationships, creating an illusion of family ties even when they are not truly formed. This creates a delightful effect for the reader.
Shri Ravishagar - Composed Adhinath Stavan (Containing the word 'Sukhabhaksika' - Foodstuff): This is another song-like composition praising the first Tirthankara, Adhinath. The author mentions that such compositions have been published before, and will be familiar to enthusiasts of this style of poetry.
Nemisagar-composed Virjin-Stotra (Containing the word 'Sukhasika' - Seat): Similar to the third composition, this is a praise of Virjin (Mahavir Swami) and contains the word 'Sukhasika'. However, this particular composition is attributed to Upadhyaya Nemisagar Gani.
Puṇyaharṣe-composed Heera-Geet: This is a Gujarati verse that praises Muni Puṇyaharṣe, a disciple of Hiravijayasuri.
Puṇyaharṣe-composed Vijayasena-Suri-Geet: This is also a Gujarati verse composed by Puṇyaharṣe to praise Vijayasena Suri.
Pandit Bhaktisagar-composed Adhinath Stuti (Containing the word 'Kutumbi' - Family Member): This is a song-like Sanskrit composition that again uses family-related terms, this time compiled by Pandit Bhaktisagar.

The book highlights that all seven compositions are from the seventeenth century, collected on a single page, and were previously unpublished.

The individual stutis are then presented with their respective compositions:

Stuti 1 (Mangalpur): A four-verse praise of Parshvanath at Mangalpur, highlighting his divine qualities and the blessings he bestows.
Stuti 2 (Magsi Parshvanath): A song-like composition using family terms to illustrate the fleeting nature of familial bonds, attributed to Ravishagar.
Stuti 3 (Adhinath): A song-like composition by Ravishagar praising Adhinath, incorporating names of various food items.
Stuti 4 (Virjin): A praise of Mahavir Swami by Nemisagar, incorporating names of various food items and described as a "Sukhasika" (seat).
Stuti 5 (Heera-Geet): A Gujarati devotional song by Puṇyaharṣe, in praise of Hiravijayasuri, described as a captivating and powerful mantra.
Stuti 6 (Vijayasena-Suri-Geet): Another Gujarati devotional song by Puṇyaharṣe, celebrating the virtues and spiritual presence of Vijayasena Suri.
Stuti 7 (Adhinath): A Sanskrit song-like composition by Pandit Bhaktisagar, praising Adhinath and intricately weaving in family-related terms, emphasizing the ultimate reliance on the divine.

In essence, "Stutyatmaka Sat Laghu Krutio" offers a curated glimpse into the devotional poetry of the 17th century Jain tradition, showcasing diverse themes and stylistic approaches to praising various Tirthankaras and revered Gurus. The unique aspect of some stutis incorporating familial terms to convey philosophical messages adds a layer of creative depth to these ancient compositions.