Savruttik Aagam Sootraani 1 Part 12 Gyatadharmkatha Mool Evam Vrutti

Based on the provided text, here is a comprehensive summary in English of the Jain text:

Book Title: Savruttik Aagam Sootraani 1 Part 12 Gyatadharmkatha Mool evam Vrutti Author(s): Anandsagarsuri, Dipratnasagar, Deepratnasagar Publisher: Vardhaman Jain Agam Mandir Samstha Palitana Catalog link: https://jainqq.org/explore/035012/1

This publication is part 12 of the series "Savruttik Aagam Sootraani," specifically focusing on the Jain text "Gyatadharmkatha" (also known as Gyatadharmakathananga-sutra), which is the sixth Anga (limb) of the Jain Agamas.

Key Aspects and Summary:

1. Sponsorship and Guidance:

   • The project is inspired by the guidance of Acharya Shri Harshasagarsuriji.
   • The publication is a part of the "Agam-Vritti-Mudran-Project" initiated in commemoration of the "Agam-Vachana-Shatabdi-Varsh" (Centenary Year of Agam Recitation).
   • The entire financial support for this series ("Savruttik-Aagam-Suttaani," parts 1-40) is provided by Acharya Shri Harshasagarsuriji Maharaj Saheb.

2. Content and Structure:

   • The text is "Gyatadharmkatha" (ज्ञाताधर्मकथा), which is the sixth Anga-sutra of the Jain Agamas.
   • It includes the original (Mool) text and the commentary (Vrutti) composed by Abhaydev Suri.
   • The primary editor (Mool Sanshodhak) is Pujya Agamoddharak Acharya Shri Anandsagarsurishwarji Maharaj Saheb.
   • The compiler (Abhinav Sankalakakarta) is Agam Divakar Munishri Dipratnasagarji (M.Com., M.Ed., Ph.D., Shrutamaharshi).

3. Dedication and Tribute:

   • The book is dedicated to Pujya Anandsagarsurishwarji Maharaj Saheb, described as a multifaceted personality, a protector of the Sagar community's unity, an active participant in the revival of pilgrimage sites, a connoisseur of virtues, and a recipient of inspiration from Acharya Shri Harshasagarsuriji.
   • It also pays tribute to Pujya Gachhadhipati Acharya Shri Devendrasagar Surishwarji Maharaj Saheb, the third pontiff in the lineage of Acharya Shri Anandsagarsurishwarji, highlighting his spiritual dedication, leadership, profound knowledge, and commitment to devotional practices.

4. The "Aagam Mandir" in Palitana:

   • The publication mentions the 'Aagam Mandir' located at the foothills of Shatrunjaya mountain in Palitana.
   • This temple is described as a physical manifestation of the intellectual brilliance of Pujya Anandsagar Surishwarji.
   • It is adorned with 45 'Chowmukh' (four-faced) Jin-idols sculpted in Shilp (art) and sthaptya (architecture).
   • The temple features 40 Samavsarans (divine preaching assemblies), constructed with four distinct colored stones as per the descriptions in Agamic texts, mirroring the divine Samavsarans created by the gods.

5. Significance of the Publication:

   • This specific part (Bhag-12) is published in celebration of the Centenary Year of Agam Recitation (Agamoddharak-Vachana-Shatabdi-Varsh).
   • The project aims to make the Jain Agam literature, particularly the commentaries, accessible through printing.
   • The text provides the original scriptures along with the detailed commentary by Abhaydev Suri, with additional features like footnotes, indices, and cross-references.
   • The introduction explains the rationale behind this specific edition, noting that previous publications of "Gyatadharmakatha" were sometimes re-printed with modifications or with publishers erasing the original editor's (Acharya Anandsagar Suriji) name. This edition aims to present the original text as is, with scholarly additions for clarity and accessibility.
   • The text is presented in a format that clearly indicates the Shrutskandh (scriptural division), Adhyayan (chapter), Mool Sutra (original verse), and the Vrutti (commentary) numbers, along with a 'Deep Anukram' (index) for easy navigation across all Agama publications by the institution.

6. Content of Gyatadharmkatha (Specific Chapters Mentioned):

   • The Table of Contents (Vishayanukram) is provided, listing the Shrutskandhas and Adhyayans.
   • Shrutskandh 1 is detailed with Adhyayans like Utkshipta, Sanghataka, Anda, Karma, Shelaka, Tambaka, Rohini, Malli, Makandi, Chandrama, Davadrava, Udakajata, Dardaraka, Taitliputra, Nandiphala, Aparakanka, Ashva, Susuma, and Pundarika.
   • Shrutskandh 2 is also outlined, covering topics related to various Agra-Mahishis (chief consorts) of different divine beings (Chamar, Bali, Dharana, etc.).

7. Key Themes and Narratives (from the detailed pages):

   • The initial pages of the text provide extensive descriptions of the city of Champa and its characteristics.
   • Later pages detail the story of King Konika and his kingdom.
   • The text then moves into the descriptions of the Purnabhadra Chaitya (temple/grove).
   • The narrative continues with the description of King Shrenik, his queen Dharini, and her dream.
   • The text then focuses on Prince Abhaykumar, his intelligence, and his counsel to King Shrenik.
   • It delves into the life and virtues of Sudharma Swami.
   • A significant portion is dedicated to the story of Meghkumar, his previous births, his encounters with difficult situations (like the forest fire and the thirsty animals), his yearning for liberation, and his eventual initiation and severe austerities.
   • The story of Dhanasarthavaha and his interactions with the thief Vijaya is narrated, highlighting the consequences of actions.
   • The text also recounts the story of Shukra Parivrajaka and his interactions with Dhanyasarthavaha, and the king of Panchala, Jitashatru.
   • The life of the 19th Tirthankara, Mallinath, is described, including his previous lives and the circumstances leading to his birth and renunciation. The narrative also touches upon the importance of virtuous conduct, the dangers of attachment to worldly pleasures and sensory experiences, and the path to liberation.

In essence, this publication is a scholarly and devotional effort to present the "Gyatadharmkatha," a vital Jain scripture, in its original form with a detailed commentary, making it accessible to a wider audience. It emphasizes the importance of righteous conduct, renunciation, and the consequences of actions across various lifetimes, illustrated through detailed narratives and symbolic representations. The work is a testament to the dedication of the featured Acharyas and Munis in preserving and disseminating Jain knowledge.