Sati Shromani Chandanbala - Book Summary

Here's a comprehensive summary of the Jain text "Sati Shromani Chandanbala" by Mohanlal Dipchand Chokshi, based on the provided pages:

Book Title: Sati Shromani Chandanbala Author: Mohanlal Dipchand Chokshi Publisher: Shashikant And Co

Overall Theme: The book "Sati Shromani Chandanbala" is a biographical narrative within the Jain tradition, focusing on the life and exemplary conduct of Chandanbala, a revered Jain ascetic. The text aims to present historical Jain characters in a contemporary narrative style, making Jain religious and historical literature accessible and engaging to the general public at an affordable price. The author was inspired to write this book by Dr. Tribhuvandas Shah, who championed the cause of creating and disseminating such literature to awaken and inspire the Jain community.

Author's Motivation and Personal Connection: Mohanlal Dipchand Chokshi explains in his preface that his interest in character portrayal stemmed from his personal connection to his elder brother's daughter, Subhadra, who had taken religious vows (Bhagvati Diksha) at a young age. Subhadra, as Sadhvi Chandanbala, spent eleven years in rigorous ascetic practices, impressing many with her cheerful demeanor and equanimity. Witnessing her spiritual life sparked the author's desire to write about Chandanbala.

Narrative Approach and Historical Accuracy: The author clarifies that the book compiles various incidents from Chandanbala's life, drawing upon references found in Jain literature, the Kalpa Sutra, and the Atthadhamma (Atha-dharma) commentaries. While presenting an engaging narrative, the author also addresses some historical nuances, such as correcting potential misconceptions about Chandanbala's parentage. For instance, it's established that Padmavati could not be Chandanbala's mother due to the timing of Padmavati's son Karakandu's birth. The text clarifies that Dharini is Chandanbala's mother, and Dharini married King Dadivahan after the abduction of Padmavati. The book also touches upon the possibility of Dadivahan being known by the epithet "Jitashatru" due to his battlefield victories, similar to how Bimbisara was known as Shrenik.

Key Characters and Family Connections (as presented in the text):

Chandanbala: The central figure, also referred to as Vasumati.
Dharini: Chandanbala's mother.
Padmavati: Dharini's mother (maternal grandmother), whose abduction is mentioned.
Dadivahan (Jitashatru): King of Champa, Chandanbala's father-in-law (through her mother Dharini's second marriage).
Mrigavati: Chandanbala's maternal aunt.
Abhaya: Queen of Champa, wife of Dadivahan, and a significant figure in a particular event.
Karkandu: Padmavati's son.

Summary of Key Events and Themes (based on the chapter titles and initial content):

Chapter 1: At the Wellside (કુવા કાંઠે): This chapter likely depicts a scene at a well, possibly involving Chandanbala or other female characters. The description of heavy rain and flooding highlights the power of nature and the eventual return to normalcy, with women gathering at the well for daily chores and social interaction. It also introduces the topic of societal gossip and the stories of prominent figures like King Dadivahan and Padmavati. The scene shifts to young women at a well near a garden, enjoying themselves, which leads to a dramatic encounter with a soldier demanding water. Dharini's courageous and strong response to the soldier's aggression is a significant event, showcasing her bravery and upholding the honor of women. This chapter emphasizes the strength and resilience of women even in challenging situations.
Chapter 2: In the Sister-in-law's Residence (ભાભીના વાસમાં): This chapter likely focuses on interactions and conversations within a family setting, possibly involving discussions about recent events or familial relationships. It also introduces Ganga, a childhood friend of the protagonist, who shares stories about her sister-in-law, Jayanti, and her bravery, drawing parallels with Padmavati. Jayanti is portrayed as highly skilled in martial arts and a role model for other women.
Chapter 3: In the Company of Padmavati (પદ્માવતીનો સહવાસ): This chapter shifts the narrative to the relationship and interactions with Padmavati. It hints at political discussions and personal reflections on life and renunciation, possibly involving King Chedikaraj and his influence.
Chapter 4: Separation from the Beloved (પ્રેયસીના વિરહ): This chapter likely deals with themes of separation and longing, possibly due to the king's involvement in state affairs or some other unavoidable circumstances. It might explore the emotional turmoil and resilience of the characters during such times.
Chapter 5: Dharini's Dream (ધારિણીનું સ્વપ્ન): This chapter delves into a significant dream experienced by Dharini, which might hold prophetic meaning or offer insights into future events. It could also reflect her inner state and anxieties.
Chapter 6: In the Room of Deliberations (મસલતગૃહના કમરામાં): This chapter likely depicts discussions and strategic planning, possibly related to governance, defense, or important decisions affecting the kingdom. It may involve the king and his advisors.
Chapter 7: In the Forest Wilderness (અરણ્યના એકાંત પ્રદેશમાં): This chapter transports the narrative to a secluded forest setting. It might explore themes of solitude, spiritual pursuit, or encounters with nature and its mysteries.
Chapter 8: What Happened to Dharini? (શું ધારિણી ચાલી ગઈ!): This chapter suggests a turn of events, possibly involving the disappearance or significant departure of Dharini, creating suspense and prompting a search for answers.
Chapter 9: In the Bazaar of Lilamani (લીલામના બજારમાં વસુમતી): This chapter likely describes a marketplace scene where Vasumati (Chandanbala) is presented, possibly hinting at an auction or a significant transaction, given her connection to the story.
Chapter 10: A Courtesan's Flower Garden (કઈ વાડીનો મૂળો?): This chapter's title is metaphorical and suggests an exploration of appearances versus reality, or perhaps a hidden motive behind something seemingly ordinary.
Chapter 11: Miracle on the Battlefield (સમરભૂમિ ઉપર ચમત્કાર!): This chapter promises an extraordinary event during a battle, highlighting divine intervention or exceptional prowess.
Chapter 12: The Tradition of Miracles (ચમત્કારોની પરંપરા): This chapter likely continues the theme of miraculous occurrences, showcasing the power of faith or spiritual interventions.
Chapter 13: Lord in Kaushambi (કૌશામ્બીમાં ભગવાન): This chapter focuses on the presence and teachings of a revered spiritual figure in Kaushambi, likely Lord Mahavir or a similar important personality.
Chapter 14: Like a Lotus, Detached (કમળ સમ નિર્લેપ): This chapter explores the concept of detachment and equanimity, using the lotus as a symbol of remaining pure amidst worldly impurities.
Chapter 15: The Fragrance of Ascetic Life (શ્રમણ જીવનની સુવાસ): This chapter celebrates the elevated lifestyle of ascetics and their spiritual influence, highlighting the beauty and peace associated with their path.
Chapter 16: Poem: This is that Life (હૃદય પો એજ જીવન પલટો): This chapter seems to offer a reflection on life-altering events or a profound realization about the nature of existence.
Chapter 17: The Importance of Forgiveness (ખમત ખામણુનું મહત્વ): This chapter emphasizes the virtue of forgiveness and its significance in spiritual and interpersonal relationships.

Overall Impression: "Sati Shromani Chandanbala" appears to be a detailed and inspiring portrayal of a significant Jain figure, interwoven with historical context, moral teachings, and dramatic events. The author's personal touch and commitment to making this knowledge accessible contribute to the book's potential impact on readers. The narrative seems to balance historical accounts with compelling storytelling to illustrate Jain principles and the lives of its exemplary followers.