Saptadalam Lekhakmalam Ek Sanskrut Patra

Here is a comprehensive summary in English of the provided Jain text, "Saptadalam Lekhakmalam Ek Sanskrut Patra" by Shilchandrasuri, published by ZZ_Anusandhan:

This text, presented by Vijayshilchandra Suri, is a detailed exploration and presentation of a significant Sanskrit letter written by Acharya Shri Vijaylavanyasuri Maharaj. The book delves into the rich literary tradition of the Sanskrit language, with a particular focus on epistolary literature (letter writing).

Key Points:

• Richness of Sanskrit Literature: The introduction emphasizes that every language has its own diverse literature, and Sanskrit, in particular, boasts a vast array of literary forms and styles that have enriched the language itself.
• History of Sanskrit Letter Writing: The text highlights that letter writing in Sanskrit has a very ancient history. It mentions that during the time when Sanskrit was the official language, all official communication would have been conducted in Sanskrit, and for insights into how letters were written then, one can refer to works like 'Lekh Paddhati.'
• Distinction between Practical and Literary Letters: While practical letter formats are documented in works like 'Lekh Paddhati,' the compilation and historical study of significant literary letters is a field that still requires more in-depth research. Such a study would reveal the evolution of letter writing over time.
• Influence of Cloud Messenger and Meghaduta Imitations: The literary tradition of letter writing is strongly associated with Kalidasa's Meghaduta and the subsequent 'Dootakavya' (messenger poetry) composed in its imitation or as continuations. These short epic poems are credited with bringing a new level of grandeur to letter-writing literature.
• Jain Scholars' Contribution: Jain scholars have made substantial contributions to enriching Sanskrit literature, including the composition of Sanskrit Dootakavyas (examples like Vijnasi Triveni, Indudoot, Mayurdoot, Sheeldoot, Sevralekh, Samasyalekh, etc.) and a significant collection of 'Vijnapti Patra' (request letters) and 'Kshamaapana Patra' (letters of apology or forgiveness). These are preserved in various libraries and knowledge repositories. Even when these letters are in mixed languages, Sanskrit often holds a prominent position.
• Modern Jain Letter Writing: More recent Jain scholars have also produced extensive letter literature, utilizing contemporary methods and linguistic styles. These letters are varied, some predominantly prose, others purely poetic, and some a mix. They exhibit diverse poetic meters, abundant use of figures of speech, and varied stylistic approaches. Some letters focus on essential communication or messages, while many are driven by literary intent. This ongoing tradition, active since at least the 16th century, is a testament to the continued vitality and enrichment of Sanskrit literature by modern exponents.
• The Letter in Focus: The presented letter is a remarkable example from this tradition. It was written by Acharya Shri Vijaylavanyasuri Maharaj, a learned disciple of the influential 20th-century Jain Acharya Shri Vijayamisurisurimaharaj. Acharya Vijaylavanyasuri was a distinguished scholar of grammar, logic, prosody, rhetoric, and poetry, with unparalleled compositions, commentaries, and poetic works.
• Details of the Letter: This letter, written over 60 years prior in Samvat 1993, was addressed from Borsad to his Guru, Acharya Shri Vijayamisurisurimaharaj. It is a mix of prose and poetry, rich in 'shlesha' (puns or double meanings) and various figures of speech. The original letter, spanning seven pages written in pencil by the author himself, is titled "Shri Gurucharanaanaam Charanarchayaam Saptadalam Lekhakamalam" (A Lotus of Seven Petals for the Feet of the Revered Guru). The title is accompanied by a drawing of a seven-petaled lotus.
• Content and Structure of the Letter:
  • Beginning: The letter commences with five verses, invoking the Guru and setting the stage for the author's request.
  • Core of the Letter: The main body of the letter uses 'shlesha' (puns) with dual meanings to address the Guru. Ingeniously, these puns are used to subtly incorporate the names of the Sadhus accompanying the author. To facilitate understanding of these complex puns, the author himself has provided detailed annotations below.
  • Narrative Section: Following the descriptive praise, there is a section detailing recent events ('Vrittanta Nivedana'). This includes information about the well-being of five Sadhus and their safe arrival in Borsad after leaving the Guru's presence.
  • The Request: The letter conveys requests from the Shravak-Sanghas (lay communities) in areas like Khambhat, Chhani, Bharuch, and Jagadia for the Chaturmas (a four-month rainy season retreat). The author seeks the Guru's guidance on where to undertake this Chaturmas.
  • Conclusion: The letter concludes with two verses.

In essence, the book offers a deep dive into the art of Sanskrit letter writing, showcasing a particularly poignant and intricate letter by a Jain Acharya that blends literary artistry, spiritual devotion, and practical communication, all within a framework of profound respect for the Guru.