Sadhu To Chalta Bhala 2

Here's a comprehensive summary of the Jain text "Sadhu to Chalta Bhala-2" by Muni Prashamrativijayji:

Book Title: Sadhu to Chalta Bhala-2 Author: Muni Prashamrativijayji Publisher: Pravachan Prakashan, Pune Subject: Experiences and Vignettes from Pilgrimages (Tirth Yatra)

Overall Theme: The book "Sadhu to Chalta Bhala-2" continues the narrative of the author's pilgrimage experiences, focusing on the spiritual journey and observations of Jain monks (sadhus) as they travel through various sacred sites in India. It delves into the spiritual significance of these places, historical connections, the principles of asceticism (Vihavrat), and the author's personal reflections and encounters. The central idea, as suggested by the title "A Sadhu is Best When Moving," emphasizes the importance of constant spiritual progress and journey in the life of a monk.

Key Sections and Themes:

• Introduction by Pravachan Prakashan: The publisher expresses joy in releasing the second part of "Sadhu to Chalta Bhala." They highlight that the book chronicles the travel experiences of the author and his brother, Muni Vairagyarativijayji. The book is described as an amalgamation of pilgrimage sensitivities, historical connections, and the glory of the monastic vows. The publisher expresses confidence that this sequel will also be warmly received, noting that the first book inspired someone in America to visit India specifically for a pilgrimage.

• Author's Preface ("Bijo Mukam" - Second Stop): The author emphasizes that pilgrimage experiences are meant to be remembered. He shares that his travels have left indelible impressions and that the unique joy of wandering cannot be fully captured in words. He quotes Dr. Carl Rogers, stating that what we consider most personal is often the most general, meaning individual experiences of joy and sorrow are often universal. The author believes "Sadhu to Chalta Bhala" is a saga of experiences of ascetics. He considers it a personal achievement if fellow ascetics appreciate the writings, even more so than householders being inspired. He acknowledges that this is the second installment and many more travels are to come.

• "Anhad Anand" (Boundless Joy): This section seems to be an acknowledgement of gratitude, likely from someone else (possibly the book's sponsor or publisher) for the opportunity to be associated with the publication. It lists extensive spiritual practices and austerities performed by someone named "Matushri Chandanben Kaniyalal Shah," including various types of fasts, special vows, and numerous pilgrimages. This highlights the spiritual devotion that often underpins such literary endeavors.

• "Sathvaro" (Support/Companionship): This section, attributed to Muni Vairagyarativijayji, likens the sadhu's journey to the flow of sunlight and the river Ganga – both constantly moving, bringing light and fertility to others. He clarifies that sadhus undertake "Vihar" (spiritual wandering) rather than mere travel, where spiritual practice (sadhana) is primary and the destination is secondary. He describes "Sadhu to Chalta Bhala" not as historical documentation or literary travelogue, but as a journey of sensitivity. He states that frozen history is brought to life here, and that the author's profound sensitivity allows even stones to speak. He concludes by saying that the support of this sensitivity is his true joy, capable of leading to liberation.

• "Runanubandh" (Karmic Connections): This is a list of individuals to whom the author expresses deep gratitude, including his Gurudevas (Acharyas) and his brother Muni Vairagyarativijayji, as well as Pandit Rajnikantbhai Parekh.

• "Pagathiya" (Steps): This is the table of contents, listing the various locations and topics covered in the book, such as "Vadnagar ni Vato," "Tarangaji," "Ambu Giriraj," "Shatrunjay," "Palitana ni Aasmani Sultani," "Dholka," "Dhandhuka," and many others, indicating a wide geographical and thematic scope of the pilgrimage.

• Detailed Travel Accounts: The bulk of the book consists of detailed accounts of visits to various Jain pilgrimage sites. The author vividly describes:

  • Umta Village's Rajgadhi Tibbo: The discovery and excavation of an ancient Jain temple beneath a mound, the subsequent legal disputes over the idols between Svetambara and Digambara sects, and the government's decision to make it a protected monument.
  • Vadnagar: The historical significance of Vadnagar, including its connection to the first public recital of the Kalpa Sutra, its ancient glory with 360 temples and a remarkable stepwell.
  • Taranga: The spiritual atmosphere of Taranga hill, the ancient temples, the legend of Queen Taradevi, and the monumental construction efforts of Govindji Seth and King Kumarpal.
  • Kumbhariya: The exquisite Jain temples and their intricate sculptures, the history of the site, and the debate around its name origin.
  • Abu Giriraj (Delvada): The breathtaking beauty and intricate craftsmanship of the Vimal Vasahi and Lunig Vasahi temples, detailing the artistic marvels in the domes, pillars, and the central deities.
  • Achalgadh: The historical fortress and its past glory, the reverence for the Adishwar Prabhu's idol, and the blend of natural beauty with spiritual significance.
  • Dholka and Kalikund: The history of Dholka as a center of Jainism, its connection to the renowned ministers Vastupal and Tejpal, and the rediscovery and prominence of the Kalikund Tirth.
  • Dhandhuka: The author's search for historical traces of Hemchandracharya and his literary contributions, and the evolving nature of such places.
  • Palitana (Shatrunjay): Extensive descriptions of the pilgrimage to Shatrunjay, the significance of the hill, the numerous temples, the historical accounts of various dignitaries, the management of the pilgrimage by the Anandji Kalyanji Pedhi, and the persistent struggles to preserve the sanctity of the pilgrimage site against external pressures and historical claims.
  • Ghogha and Piram Bet: The historical accounts of Ghogha as a port and its connection to the Navkhanda Parshvanath temple, and the legend of Piram Bet containing hidden Jain idols.
  • Other Locations: The book also touches upon various other places, highlighting their spiritual importance, historical anecdotes, and the author's observations on the local culture and environment.

Author's Style: Muni Prashamrativijayji's writing is characterized by:

• Vivid Descriptions: He paints a rich picture of the landscapes, architectural details, and the spiritual atmosphere of the pilgrimage sites.
• Historical and Mythological Integration: He seamlessly weaves historical facts, legends, and scriptures into his narrative, providing a multi-layered understanding of each place.
• Personal Reflections: The author shares his personal feelings, philosophical insights, and moments of deep spiritual connection, making the narrative engaging and relatable.
• Detailed Observations: He meticulously notes down details, from the art of Pethola weaving to the specific architectural features of temples and the ecological aspects of the regions.
• Emphasis on Devotion and Spirituality: Throughout the book, there is a consistent emphasis on the power of devotion, the significance of austerities, and the pursuit of spiritual liberation.

Overall Message: "Sadhu to Chalta Bhala-2" is more than just a travelogue; it's an invitation to experience the profound spiritual heritage of Jainism through the eyes of an ascetic. It underscores the enduring faith, artistic brilliance, and historical depth associated with Jain pilgrimage sites, encouraging readers to connect with their spiritual roots and the timeless teachings of the Tirthankaras. The book celebrates the continuous journey of a sadhu not just in physical movement but in the relentless pursuit of spiritual advancement.