Paumchariu Part 3

This is a summary of Paumchariu Part 3 by Swayambhudev, edited by H.C. Bhayani and translated by Devendra Kumar Jain, published by Bharatiya Gyanpith.

The provided text is primarily the Table of Contents (Vishay Suchi) and a portion of the Apabhramsha text itself, along with Hindi translations of specific sections.

Here's a breakdown of what the provided pages cover:

General Information:

• Book Title: Paumchariu (Part 3)
• Author: Swayambhudev
• Editor/Translator: H.C. Bhayani (Original Editor), Devendra Kumar Jain (Translator)
• Publisher: Bharatiya Gyanpith
• Editions: First Edition 1958, Second Edition 1989
• Context: This is part of the Murti Devi Granthamala, an initiative by Bharatiya Gyanpith to promote Indian philosophy, culture, literature, and history by publishing works in various ancient and modern Indian languages, including Apabhramsha. The foreword highlights the significance of Apabhramsha as a strong literary and spoken language of the medieval period and a "mother" to modern Indian languages like Hindi, Gujarati, Marathi, etc.

Table of Contents (Pages 5-8):

The Table of Contents is extensive, detailing the various "Sandhis" (chapters/sections) covered in Part 3. These Sandhis focus on significant events in the Ramayana narrative as depicted in the Paumchariu. Key themes and events mentioned include:

• Friendships and Conflicts: Sugriva's promise, conflicts with rival Sugrivas, Ram's interactions with Sugriva, Hanuman's missions, meetings with Vibhishana, battles with various characters.
• Search for Sita: Hanuman's journey, finding Sita, interacting with Mandodari, conveying messages.
• Battles and Warfare: Descriptions of battles, destruction, intervention of deities, strategies, heroic feats of warriors.
• Diplomacy and Oaths: Promises made, disputes, resolutions.
• Specific Characters and Episodes: Interactions with Sugriva, Hanuman, Mandodari, Vibhishana, and descriptions of cities like Kiskindha and Lanka.
• The narrative seems to follow the events from the initial alliance with Sugriva, Hanuman's mission to Lanka, the battles leading up to Lanka, and potentially the events within Lanka itself. The detailed listing of Sandhis (e.g., Teyalisvin Sandhi, Chayalisvin Sandhi, Panchalisvin Sandhi, Shathalisvin Sandhi, Saptatisvin Sandhi, Ashitisvin Sandhi, Navatisvin Sandhi, Pashalisvin Sandhi, etc.) suggests a chronological progression of the epic's events.

Apabhramsha Text and Hindi Translation (Pages 10-48):

This section provides a glimpse into the actual text. The provided pages cover:

• Teyalisvin Sandhi (42nd Chapter): This chapter details a significant conflict involving Sugriva and a "fake" Sugriva, a battle scene, and Sugriva seeking refuge with Ram. The narrative includes descriptions of the battlefield, the questioning of the situation, and Sugriva's plight. The dialogue and descriptions are rendered in Apabhramsha and then translated into Hindi.
• Chayalisvin Sandhi (44th Sandhi): This section covers Lakshmana's mission to Sugriva, the interaction with the gatekeeper, Sugriva's internal conflict and decision to seek refuge with Ram, and the subsequent journey of Ram, Lakshmana, Sugriva, and Viradhita. It also includes descriptions of Kiskindha.
• Panchalisvin Sandhi (45th Sandhi): This chapter describes the events following the alliance, the preparation for war, the dialogue between Ram and Sugriva, and the preparations for the journey.
• Shathalisvin Sandhi (46th Sandhi): This section focuses on Hanuman's journey, his encounters with Vidyadharas (like Mahendra), and his arrival in Lanka. It details the decorations of the city and the battles Hanuman faces.
• Saptatisvin Sandhi (47th Sandhi): This chapter describes Hanuman's arrival at Dadhik muth Nagar, his interactions with the king, his daughters' asceticism, and Hanuman's internal thoughts about Sita.
• Ashitisvin Sandhi (48th Sandhi): This section details the events in Lanka, including Hanuman's encounter with Aasali, the conflict with Aasali, and the ensuing battle. It also touches upon the advice given by Vibhishana to Ravana.
• Navatisvin Sandhi (49th Sandhi): This chapter covers the events related to Hanuman's mission, his interactions with the king of Lanka, and the reactions of the various characters. It includes descriptions of Hanuman's arrival, his confidence, and his subsequent actions.
• Pannasvin Sandhi (50th Sandhi): This section deals with Hanuman's interaction with Sita, her emotional state, the message conveyed by Hanuman, and Sita's desires and renunciations.
• Ekavannasvin Sandhi (51st Sandhi): This chapter focuses on Hanuman's actions within Lanka, his destruction of gardens, and his encounters with various characters including Laksmana and Ravana.
• Duvannasvin Sandhi (52nd Sandhi): This section details further battles, including Hanuman's fight with Akshay Kumar, and the subsequent events.
• Trivannasvin Sandhi (53rd Sandhi): This chapter describes the counsel given by Vibhishana to Ravana, the reactions of Ravana and Indrajit, and the preparations for further conflict.
• Chavannasvin Sandhi (54th Sandhi): This section covers more battles, including the conflict with Meghavahana and other encounters.
• Panchavannasvin Sandhi (55th Sandhi): This chapter continues the narrative of battles and encounters, with specific focus on the actions of the warriors.
• Shappannasvin Sandhi (56th Sandhi): This section further details the ongoing war, the individual combats, and the unfolding of the epic events.

Key Themes and Narrative Elements:

• Heroic Deeds: The text highlights the valor and prowess of characters like Hanuman, Ram, Lakshmana, and others through detailed descriptions of their battles and actions.
• Devotion and Loyalty: The narrative emphasizes loyalty to friends and the fulfillment of promises, particularly in the context of the alliance between Ram and Sugriva.
• Moral and Ethical Teachings: The foreword and the content suggest that the Paumchariu, like other Jain texts, likely imparts moral and ethical lessons, possibly through the consequences of actions and the characters' choices.
• Literary Style: The use of Apabhramsha signifies a rich literary tradition, and the inclusion of detailed descriptions of nature, cities, and emotional states contributes to its poetic and narrative quality.

In essence, Paumchariu Part 3, as represented by these pages, is a significant portion of a Jain epic retelling of the Ramayana, filled with action, emotion, and likely interspersed with philosophical and ethical reflections, presented in the ancient Apabhramsha language.