Paryushan Parv Prachin Stavanavali

This document is a digital copy of the "Paryushan Parv Prachin Stavanavali" (Collection of Ancient Chants for the Paryushan Festival), compiled by Bhuralal Nagardas Shah.

Here's a breakdown of the content based on the provided text:

1. Title Page & Publisher Information (Page 1):

• Title: શ્રી પર્યુષણ પર્વ પ્રાચીન સ્તવનાવલી (Shri Paryushan Parv Prachin Stavanavali - Ancient Collection of Chants for the Paryushan Festival)
• Author/Publisher: Bhuralal Nagardas Shah
• Availability: Master Satlal Bhadarchand Doshiwada ni Pol, Ahmedabad.
• Publication Year: Veer Samvat 2406 (which corresponds to 1939-1940 CE).
• Price: Rs. 1.25

2. Dedication and Inspiration (Page 2):

• The book is dedicated to the disciples and followers of various revered Jain monks and nuns. It highlights the inspiration received from Sadhvi Shri Vardhman Tapnishthajia Maharaj, disciple of Acharya Devesh Shri Sagarannand Surishwarji Maharaj, and the teachings of Sadhvi Shri Vinayavati Pragnashri Maharaj.
• It mentions that the book is presented as a gift on the occasion of a sister's (Shri Behanji) sacred initiation (Pavitra Pravajya).
• The family name and location (Shah Bhuralal Nagardas, Haja Patel ni Pi, Galamganj ni Pol, Ahmedabad) are also mentioned.

3. Guru Vandana (Page 3):

• This page expresses deep reverence and gratitude to a lineage of spiritual teachers. It specifically mentions the dedication of the booklet to Sadhvi Teerth Shriji Maharaj and her disciple, Bal Brahmachari Ranjanshriji Maharaj, and further to Malayashriji Maharaj. It also pays homage to the late Sadhvi Shivshriji Maharaj, late Vidushi Tilakshriji Maharaj, and late Shantabhuti Hemshriji Maharaj.
• It concludes with the blessings and greetings from Sadhvi Pragnashri and Narendra.

4. Blank Pages (Page 4):

• Page 4 appears to be a blank page.

5. Dedication to a Disciple-to-be (Page 5):

• This page identifies the dedication of the book to "Deekshaabhilashi Balakumari Shrimati Shri Padmabehn Bhuralal Shah."
• It notes her birth year as Samvat 1995 (1938-1939 CE) in Ahmedabad, on the 13th day of Asho Vad (during the waning moon phase of the month of Asho).

6. Brief Life Sketch of Padmabehn (Page 6):

• This page provides a brief biography of Shrimati Padmabehn.
• It describes her birthplace as Rajnagar (Ahmedabad), a prominent Jain city.
• Her parents are mentioned as Shah Bhuralal Nagardas and Jasudbehn.
• She was born on Asho Vad 13, Samvat 1995.
• She received a religious upbringing and completed her education up to Matriculation (equivalent to 7th grade in the English system at the time).
• In Samvat 2014 (1957-1958 CE), she had a significant spiritual encounter with Upadhyay Shri Devendrasagarji Maharaj, a disciple of Acharya Shri Sagarannand Surishwarji Maharaj.

7. Spiritual Journey and Aspirations (Page 7):

• This page continues Padmabehn's life sketch.
• After performing a significant penance (Udyapan Tap), she wore a signifying garland.
• During this time, she came into contact with Sadhvi Ranjanshriji Maharaj, which sparked her desire for initiation (Deeksha).
• She began her religious studies under spiritual guidance, learning scriptures like Panch Pratikraman, Char Prakaran, Teen Bhashya, and Shath Karmagranth.
• At the age of 20, she is described as eager to embark on the sacred path of renunciation (Pravajya).
• The page concludes with well wishes for her unobstructed journey.

8. Table of Contents (Anukramanika) (Page 8-9): This is a detailed index of the book's contents, listing various sections and the pages they appear on. The main categories are:

• Chaitra Vandan: Chants to invoke blessings and pay homage.
  • Chaitra Vandan for Paryushan Parv (pages 1-9, 10-11)
  • Chaitra Vandan for Diwali Parv (pages 11-13)
• Stavan (Chants): Various devotional songs and hymns.
  • Panch Kalyanak of Lord Mahavir (pages 13-27)
  • Athai of Lord Mahavir (pages 27-28)
  • Twenty-seven lives of Lord Mahavir (pages 58-69)
  • Panch Kalyanak of Lord Mahavir (three verses) (pages 69-89)
  • Twenty-seven lives of Lord Mahavir (pages 81-101)
  • Paryushan Parv Chants (pages 101-105)
  • Paryushan Parv Chants (pages 105-107)
  • Lullaby for Lord Mahavir (pages 107)
  • Lullaby for Lord Mahavir (pages 112)
  • Prabhu Nishal Gayanu (Lord Goes to School) (pages 114)
  • Diwali Chants (pages 118-145)
• Stuti Sangrah (Collection of Praises):
  • Praises for Paryushan Parv (pages 146-156)
  • Praises for Diwali (pages 158-160)
• Sajhay Sangrah (Collection of Narrative Songs):
  • Sajhay for Paryushan Parv (pages 162-166)
  • Sajhay for the first discourse of Paryushan (pages 168)
  • Sajhay for the second discourse (pages 170)
  • Sajhay for the fourth discourse (pages 172)
  • Sajhay for the sixth discourse (pages 174)
  • Sajhay for the ninth discourse (pages 175)
  • Trilok Sundari ni Sajhay (pages 177)
  • Vanazara ni Sajhay (pages 179)
  • Chandanbala ni Sajhay (pages 180)
  • Vees Jineshwar no Chhand (Verse of Twenty-Four Tirthankaras) (pages 187)
  • Shri Nemnath ne Saloke (pages 198)

9. Content Samples (Page 10 onwards): The subsequent pages provide the actual text of some of the chants (Chaitra Vandan and Stavan). These sections detail:

• Chaitra Vandan for Paryushan Parv: Descriptions of the significance of Paryushan, adherence to vows, listening to scriptures like Kalpa Sutra, and the importance of penance.
• Chants related to Lord Mahavir's life: Details of his birth, childhood, renunciation, enlightenment, and teachings, including the Panch Kalyanak (five auspicious events).
• Chants related to Diwali: The significance of Diwali in Jainism, linked to Lord Mahavir's Nirvana and Gautam Swami's enlightenment.
• Athai Chants: Songs for the eight-day observance.
• Twenty-seven Lives of Lord Mahavir: Narrative songs describing the various lives Lord Mahavir lived before attaining omniscience.
• Sajhay: Narrative songs that often tell stories of Jain disciples and their spiritual journeys.

Overall Purpose:

The "Paryushan Parv Prachin Stavanavali" is a devotional compilation intended to aid Jains in their observance of the Paryushan festival and other significant Jain occasions like Diwali. It provides a collection of traditional chants, hymns, and narratives that are central to Jain worship and spiritual practice, emphasizing themes of penance, devotion, and the life of Lord Mahavir. The book also serves as a dedication to spiritual lineage and the aspirations of Jain ascetics.