Parsuram Kalpasutra Part 02

Here's a comprehensive summary of the Jain text "Parsuram Kalpasutra Part 02," specifically focusing on the "Nityotsava" section authored by Umanandanatha and edited by A. Mahadeva Sastri:

Overall Scope:

This document, "Parsuram Kalpasutra Part 02," contains the "Nityotsava" by Umanandanatha. It is presented as a supplement to the "Parasurama-Kalpa-Sutra." The publication details indicate it was printed in 1923 by Central Library, Baroda, under the authority of the Government of His Highness the Maharaja Gaekwad of Baroda. The preface by A. Mahadeva Sastri details the various manuscripts used for the edition, highlighting the meticulous work in compiling the text.

Content Summary (Based on the provided Table of Contents and initial pages):

The "Nityotsava" appears to be a comprehensive manual detailing various tantric rituals and practices, likely within a specific lineage or tradition of Jainism or perhaps a broader Indian religious context that draws from tantric principles. The text is structured into several "Ullasa" (chapters or sections), each focusing on a specific ritualistic theme.

Key Sections and their Themes:

• Prathama Ullasa - Diksha Kramah (First Chapter - Initiation Rites): This section lays the groundwork for the spiritual journey by detailing the process of initiation. It covers:

  • Introduction: Setting the context and acknowledging the lineage of teachers.
  • Determination of Initiation Time: Discusses auspicious timings and astrological considerations for performing initiations, citing various tantric texts.
  • Qualities of a Guru: Outlines the essential characteristics and virtues expected of a spiritual teacher.
  • Qualities of a Disciple: Describes the ideal attributes and disposition of a student seeking initiation.
  • Acceptance of a Guru: Details the process and etiquette involved in choosing and formally accepting a guru.
  • Calling the Disciple: Describes the procedure for summoning a disciple after the guru's acceptance.
  • Tripura Siddhanta: Explains the philosophical underpinnings of the Tripura tradition, likely referring to the worship of the Goddess Tripura Sundari. This includes an explanation of the 36 tattvas (principles of reality).
  • Mantra Upasana: Focuses on the practice and efficacy of mantra worship.
  • Dharmas of the Worshipper: Outlines the ethical and spiritual conduct expected of a practitioner.
  • The Essential Dharma: Highlights the core principles of spiritual practice.
  • Necessity of Initiation: Emphasizes why initiation is crucial for the transmission of secret knowledge.
  • Types of Initiation: Describes different forms of initiation, likely Shambhavi, Shakthi, and Mantri.
  • Main and Secondary Aspects of Initiations: Discusses the relative importance and sequence of these initiation types.
  • Granting of the Ishta Mantra: The process of bestowing the personal mantra upon the disciple.
  • Rules of Samayachara: Adherence to specific conduct and rules within the tradition.
  • The Fruit of Devotion to Kuladharma: The benefits of adhering to the traditions of the lineage.
  • Attaining the Disciple's Higher Consciousness: The goal of initiation in transforming the disciple's consciousness.
  • Gaining Authority over All Mantras: The ultimate outcome of proper initiation and practice.
  • Dīkṣā (Initiation) Arrangements for Various Rites: How initiation procedures are adapted for different rituals.
  • Determination of Authority: Who is qualified to undertake these practices.

• Dwitiya Ullasa - Ganapati Kramah (Second Chapter - Ganapati Rites): This section details the rituals associated with the worship of Lord Ganesha, likely as a preliminary or essential step in tantric practice. It covers:

  • Introduction: Setting the context for the Ganapati rituals.
  • Specifics of Kalya Kriya and Ahnik: Highlighting particular aspects of morning and daily routines related to the worship.
  • Circuits of Tarpan and Sankalpa: Procedures for offerings and vows related to Ganapati.
  • Worship Ritual: A detailed step-by-step guide for performing the puja.
  • Entering the Yaga Mandira: The ritualistic entry into the sacred space for worship.
  • Displacement of Obstacles: Practices to remove impediments.
  • Specific Nyasa Rites: Detailed procedures for placing divine energies within the body and ritual space.
  • Worship of Maha Ganapati: The main ritual of worshipping Lord Ganesha.
  • Tarpan of Maha Ganapati: Offering water and other substances to Lord Ganesha.
  • Worship of the Six Angas: Rituals associated with the six limbs of the deity.
  • Worship of the Three Oghas: This likely refers to streams of divine energy or lineage.
  • Worship of Avarnas: Rituals of worshipping different layers or circumambulations of the deity's mandala.
  • Re-offering and Sixteen-part Puja: Further offerings and a comprehensive sixteen-step worship.
  • Agni Karya: Fire rituals.
  • Bali Dana: Ritualistic offerings of food.
  • Tarpan Japastotras: Chants and hymns for offerings and recitation.
  • Worship of Suvasini: Honoring married women as divine embodiments.
  • Purashcharana Vidhi: Preparatory rituals leading to a powerful mantra repetition.

• Tritiya Ullasa - Shri Kramah (Third Chapter - Shri Ritual): This section is dedicated to the worship of Shri, likely referring to the Goddess Lalita Tripurasundari, a prominent deity in Shakta Tantra. It is divided into seven main sections:

  • Ahnik Prakarana (Daily Rituals): Covers morning routines, guru meditation, breath control, visualization, purification, and evening rituals.
  • Saparaya Prakarana (Worship Rituals): Details entering the Yaga Mandira, consecrating the Shri Chakra, installing Yantras, purifying the body and spirit, inviting the deity, performing various rituals like offering water, and the full sixteen-part worship.
  • Homa Prakarana (Fire Rituals): Discusses the procedures and significance of fire offerings.
  • Mudra Prakarana (Hand Gestures): Explains the various symbolic hand gestures used in tantric practices.
  • Nyasa Prakarana (Placement Rites): Provides detailed instructions on "nyasa," the practice of mentally placing divine energies on the body and in the surroundings. This includes various types of nyasas, such as Karashuddhi, Atmashuddhi, Balashadanga Nyasa, etc., and the complex Shri Chakra Nyasas.
  • Japa Prakarana (Recitation): Focuses on mantra recitation, including its preparatory rites, the correct method, and the significance of various mantras.
  • Naivittika Prakarana (Occasional Rituals): Details specific rituals to be performed on particular festivals and auspicious days throughout the year, including various monthly observances and purification rites.

• Chaturtha Ullasa - Shyama Kramah (Fourth Chapter - Shyama Ritual): This section is dedicated to the worship of Goddess Shyama, another important deity in tantric traditions, often associated with Kali. It covers:

  • Introduction: Setting the stage for Shyama worship.
  • Daily Rituals: Outlines the morning and evening routines.
  • Entering the Yaga Mandira: The process of entering the sacred space.
  • Pranayama: Breath control exercises.
  • Shadanga Nyasa: The six-fold placement ritual.
  • Mandira Archana: Worship within the temple.
  • Yantra Uddhara: The process of drawing or consecrating a yantra.
  • Arghya Shodhana: Purification of the ritualistic water.
  • Chakra Devi Puja: Worship of the deities within the Chakras.
  • Worship of the Three Oghas: Likely lineage worship.
  • Avarna Archana: Worship of the circumambulations.
  • Guru Paduka Puja: Worship of the guru's sandals.
  • Re-worship of the Deity: Further acts of worship.
  • Bali Dana: Offerings.
  • Matangi Swari Mantra Japam: Recitation of the mantra for Goddess Matangi (often associated with Shyama).
  • Matangi Stuti: Hymns in praise of Matangi.
  • Suvasini Puja: Worship of married women.
  • Remaining Rituals: Other necessary rites.
  • Rules for Shyama Worshippers: Specific observances for devotees of Shyama.
  • Purashcharana Sankalpa: The vow for preparatory rituals.
  • Mantra Japam: Mantra recitation.
  • Japa Kala: The appropriate time for recitation.
  • Protonava Replacement for Women and Shudras: Special rules for these groups during mantra recitation.
  • Purashcharana Anga Homa: Fire rituals as part of preparatory rites.
  • Purashcharana Anga Tarpan: Offerings as part of preparatory rites.
  • Purashcharana Anga Bhojana: Meals as part of preparatory rites.
  • Homapratyamnaya: Compensation rituals for fire ceremonies.
  • Abhyasa: Practice.
  • Purashcharana Pratyamnaya: Compensatory rituals for preparatory rites.
  • Kurmachakra Lakshanam: Description of the Kurma Chakra.
  • Mala Sanskara: Consecration of the rosary.
  • Akshamala: Types of rosaries.
  • Rudraksha Mala Sanskara: Consecration of Rudraksha beads.
  • Mala Antara Sanskara: Consecration of other types of rosaries.
  • Devata Bhedena Sutra Bhedah: Differences in rules based on the deity.
  • Mala Sanskara Kala: The timing for rosary consecration.
  • Mala Bhedena Phala Bheda: Differences in fruits based on the type of rosary.
  • Prayschitta for Mala Jiirnata: Expiation for worn-out rosaries.
  • Japa Bheda: Types of recitation.
  • Kundasthandilayoh Parimana: Dimensions of fire altars.
  • Home Itikartavyata Vishesha: Specific duties in fire rituals.
  • Kamya Homa Dravyanam Mana Phalam Cha: Quantity and results of desired fire ritual offerings.
  • Purashcharana Kala Vihitani, Nishedhani, Bhojyani, Abhojyani, Bhojana Paryaya: Rules, prohibitions, edibles, and alternatives during preparatory rites.

• Panchama Ullasa - Dandini Kramah (Fifth Chapter - Dandini Ritual): This section focuses on the worship of Goddess Dandini, who is often associated with fierce aspects of the divine and represents power and control. It covers:

  • Introduction: Setting the context for Dandini worship.
  • Morning and Daily Rituals: Outlines the routines.
  • Entering the Yaga Mandira: The process of entering the sacred space.
  • Pranayama: Breath control.
  • Dvitiya Nyasa, Karashadanga Nyasau: Specific placement rituals.
  • Arghya Shodhana: Purification of ritualistic water.
  • Saptarna Mantra Panchaka Nyasa: Placement of mantras with seven syllables.
  • Ashtakhanda Nyasa: Placement of eight segments.
  • Mulapadanyasa in Matrika Places: Placement of root syllables in the positions of mother-goddesses.
  • Tatvastaka Nyasa: Placement of the eight tattvas.
  • Yantra Pranapratistha: Consecration of the yantra.
  • Peetha Puja: Worship of the pedestal.
  • Asana Puja: Worship of the seat.
  • Murti Kalpana: Conception of the deity's form.
  • Devi Dhyana: Meditation on the Goddess.
  • Devi Shodashopachara Puja: Sixteen-part worship of the Goddess.
  • Devi Tarpan: Offerings to the Goddess.
  • Worship of the Three Oghas: Lineage worship.
  • Avarna Archana: Worship of the circumambulations.
  • Devi Punah Pujaadi Bali Danantam: Re-worship and offerings until the end.
  • Varahi Mantra Japam: Recitation of the Varahi mantra.
  • Varahi Stotra: Hymns in praise of Varahi.
  • Brindaraadhana, Guru Santoshana, Shakti Vatuka Puja cha: Worship of groups, appeasing the guru, and worship of Shakti attendants.
  • Havih Pratipatti: Offerings of oblations.
  • Mantra Sadhana: Mantra accomplishment.

• Shashtha Ullasa - Parapaddhati (Sixth Chapter - Para Method): This section likely deals with the highest or ultimate form of worship, possibly related to Para Shakti or the supreme transcendental reality. It covers:

  • Introduction: Setting the context for "Para" worship.
  • Morning and Daily Rituals: Outlines the routines.
  • Entering the Yaga Mandira: The process of entering the sacred space.
  • Pranayama: Breath control.
  • Anga Nyasa: Placement of limbs.
  • Chidagnau Sarvatattva Vilapan: Dissolving all tattvas in the fire of consciousness.
  • Arghya Shodhana: Purification of ritualistic water.
  • Tatva Kadambasya Hritpadma Sthapana: Placing the collection of tattvas in the heart-lotus.
  • Parachakranirmana: Creation of the "Para" circle.
  • Chakreyasya Devya Puja: Worship of the Goddess in the circle.
  • Devya Akhilatattva Homabhavana: Visualization of fire offerings of all tattvas to the Goddess.
  • Gurvotpatraya Yajana: Worship of the guru lineage.
  • Bali Dana: Offerings.
  • Paramanu Japam: Recitation of the "Para" mantra.
  • Parastuuti: Praise of the "Para" deity.
  • Havih Shesha Swikarana: Acceptance of the remaining oblations.
  • Mantra Sadhana: Mantra accomplishment.

• Saptama Ullasa - Sadharana Kramah (Seventh Chapter - General Ritual): This section provides general guidelines and principles applicable to the worship of various deities, likely serving as a concluding or overarching chapter. It covers:

  • Introduction: Presenting a general approach to worship.
  • Morning and Daily Rituals: Outlines the routines.
  • Entering the Yaga Mandira: The process of entering the sacred space.
  • Pranayama: Breath control.
  • Matrika Shadanga Nyasau: Placement rites involving mother-goddesses and the six limbs.
  • Arghya Shodhana: Purification of ritualistic water.
  • Yantra Uddhara: The process of drawing or consecrating a yantra.
  • Worship of the Main Deity and its Auxiliary Deities in the Chakra: Rituals for the primary deity and its associated energies within the mandala.
  • Worship of the Three Oghas (Guru Lineage): Worship of the guru lineage.
  • Avarna Archana: Worship of the circumambulations.
  • Worship of the Deity Again: Further acts of worship.
  • Homa: Fire rituals.
  • Pradakshina Namul Mantra Japah: Circumambulations and mantra recitation.
  • Devata Stuti: Praise of the deities.
  • Mantra Sadhana: Mantra accomplishment.
  • Mantranaam Jati Nirnaya: Determining the classification of mantras.
  • Adhikaribheda Cha: Differentiating the qualified individuals.
  • Kalyu Siddha Mantra: Mantras that are effective in the Kali Yuga.
  • Guru Shishyayo Varnasramadi Vyavastha: Rules regarding guru and disciple based on caste, stage of life, etc.
  • Vayobhedena Siddhiprada Mantra: Mantras that yield results based on age.
  • Mantranaam Vyaktivisesha: Specific forms of mantras.
  • Siddharishodhana Prakara: Method for purifying enemies of siddhis.
  • Runadhanashodhana Prakara: Method for purifying debts and wealth.
  • Runadhani Chakra: A cycle related to debts and wealth.
  • Kulakulachakra Vicharapavada: Discussion and refutation of the Kulakulachakra.
  • Mantranaam Samskara: Consecration of mantras.
  • Pushpa Vichara: Consideration of flowers for worship.
  • Devatayogyani Pushpadini, Varjaniyani: Suitable and prohibited flowers for deities.
  • Sarvadevata Sadharani Vihitani Cha: General rules for all deities.
  • Keshanchit Kalavadhi: Specific time limits for certain flowers.
  • Vihita Nishedhani: Permitted and prohibited items.
  • Madhyama Phalarupam Kusumam Adhamam: Moderate and inferior results from flowers.
  • Paryushita Kusuma Vichara: Consideration of flowers that have been offered or kept for a while.
  • Paryushitapavada: Exceptions for preserved flowers.
  • Sarvasyaitasyapavada: Overriding rules.
  • Nibandhadhyayana Mahima: The glory of studying this treatise.
  • Granthakartri Prashasti: Praise of the author.
  • Nityotsava Udahrita Grantha Granthakar Suchi: List of quoted texts and authors within Nityotsava.

Fair Use Declaration:

The document begins with a "Fair Use Declaration" from "The Free Indological Collection WWW.SANSKRITDOCUMENTS.ORG/TFIC." This notice clarifies that the book is provided for individual educational or research use, believed to be in the public domain or with the intent of public dissemination by the original repository. It emphasizes legal verification of usage rights in one's jurisdiction and disclaims responsibility for any copyright or legal violations.

Overall Impression:

The "Nityotsava" is a highly detailed and ritualistic text, covering a wide spectrum of tantric practices. The structured approach, moving from initiation to deity-specific rituals and then to general principles, suggests a systematic pedagogical method. The inclusion of elaborate procedures, rules, philosophical explanations, and specific mantra recitations indicates a deep and established tradition. The various "Ullasa" sections suggest a progression through different levels or aspects of tantric sadhana.