Ketlik Futkal Krutio - Book Summary

Here's a comprehensive summary of the Jain text "Ketlik Futkal Krutio" by Rasila Kadia, based on the provided pages:

The work, "Ketlik Futkal Krutio" (Miscellaneous Compositions), compiled by Rasila Kadia and published by ZZ_Anusandhan, is presented as part of "Anusandhan-57." The author, Rasila Kadia, explains that she found a collection of miscellaneous Jain compositions, some of which were partially deciphered by Shri Lakshmanbhai Bhojke eight to nine years prior. She completed the unfinished work and presents most of these compositions here, excluding one lengthy piece. She has numbered them and corrected the use of 'ष' where it should be 'ख'.

The book contains several distinct compositions, each with its own context and author:

1. Shri Adijin (Kotharipol-specific) Stavan by Sadhvi Jadav Shri:

This composition describes a devotional hymn dedicated to Shri Adijin, specifically related to the Kotharipol area.
The text mentions that Shri Adijin is located in an underground chamber, while Suvidhinath is on the upper floor. This location is likely the Adishwar temple in Vaghanpol, Ahmedabad, which was once part of the larger Kotharipol area.
The hymn describes the sounds of nagaras (drums) and trumpets that were played during the prhar (a period of time) and aarti (a ritualistic waving of lamps).
The stavan depicts a group of female friends coming together to perform a bath ritual (snatra puja) with the aim of crossing the ocean of worldly existence and attaining the bliss of liberation (Shiva-sukha).
A note indicates that a second copy of this work was found, revealing minor textual variations, but both copies appear to have been written by the same hand.

2. Shri Munisuvratnath Stavan by Seth Balubhai:

This composition is a hymn dedicated to Shri Munisuvratnath.
It highlights Munisuvratnath's parentage: his mother was Padmavati Mata, and his father was Sumitra Ray.
The hymn recounts an incident where Munisuvratnath traveled sixty yojanas in a single night to reach the outskirts of the village of Bharuch. There, he enlightened an elephant (ashva) in the samavasarana (a divine assembly hall). The elephant, after undertaking a fast (anashana), attained the celestial realm.
The stavan also mentions that Munisuvratnath granted kevalgyana (omniscience) and liberated many belonging to the Gautam gotra, just like himself.
The poet expresses a personal plea to Munisuvratnath, asking why he has been forgotten. The poet emphasizes their long-standing relationship and requests a place at the Lord's lotus feet. They seek the benefit of the seed of enlightenment in every life and ultimately the bliss of liberation, which they believe will make them deserving of moksha.
The poet's yearning for liberation is beautifully depicted. They express a desire for Munisuvratnath to grant them liberation, just as he has granted it to many others, even when he might have been displeased with the poet.

3. Hariyali (Greenery) by Rangvijay:

This composition is described as having a "Hariyali" (greenery) form, which contains a hidden or profound meaning.
The form appears contradictory at first glance, but its meaning becomes clear upon understanding. It is likened to a riddle or a puzzle.
The author notes that the composition seems to speak about Arhats, Siddhas, or Kevalgyanis. However, she is unable to explain all the meanings and requests scholars to shed light on them.
The composition itself describes a unique individual (Purush) with seemingly paradoxical attributes, such as existing in twenty-two thousand tongues, having four eyes, six hands, and four legs, and one tail. This entity is described as being neither naked nor clothed, following yogic practices to conquer enemies. The devotional practice towards this being is said to dispel illusion and lead to the nectar-like state and the manifestation of inherent qualities.

4. Sajjhay of Greed by Lalitsagar:

This composition is by Lalitsagar, a disciple of Pandit Bhavsagar. It is a sajjhay (a type of devotional song) that focuses on the subject of lobha (greed).
The sajjhay states that greed is the giver of inauspicious destinies and is very bad in the world. It emphasizes the need to abandon greed.
The text uses several examples to illustrate this point:
- Vishnu, the lord of Lakshmi, resides in the ocean due to excessive greed.
- Due to the greed for the golden deer, Dasharatha's son Rama lost Sita and had to wander extensively.
Greed, as a kashaya (passionate emotion), hinders the soul up to the tenth spiritual stage (gunasthana). Greed leads to possession (parigraha), which causes much suffering. Abandoning greed leads to happiness.
Through abandonment, the soul can become a deity, a demon, or a king, and ultimately attain liberation. This is presented as the only path to achieving God and liberation.
Greed is described as an obstacle on the path to liberation, accompanying the soul up to the tenth spiritual stage. It is also called a great thief. By abandoning greed, the bliss of liberation is within reach.

5. Vijay Jinendra Suri Bhas by Shivchand:

This composition is a bhas (a type of praise or eulogy) composed by Shivchand, dedicated to Shri Vijay Jinendra Suri.
It was created on the tenth day of the waning moon in the month of Chaitra in the year 1853 (Samvat).
The poet mentions that while traveling through villages and towns, they arrived in their own town. They were accompanied by their guru, Shri Vijay Jinendra Suri, who is the leader of the Tapa Gaccha.
The purpose of their visit was to pay homage to Lord Veer and to facilitate the homage of the four-fold community (chaturvidh sangh). It's suggested they might be on a pilgrimage, visiting temples along the way.
The guru's father was Shah Harchand, and his mother was Guman. The guru, having attained the title of Suri, is indeed worthy of his virtues.
The composition expresses joy at the sight of the guru. It is considered historically significant due to the mention of the guru's name, the lineage name, parents' names, and the year.

In essence, "Ketlik Futkal Krutio" is a compilation of diverse Jain devotional poems and hymns, offering insights into various aspects of Jain philosophy, devotional practices, historical figures, and the pursuit of liberation from worldly suffering, with a particular emphasis on the abandonment of greed.