Ketlak Bhasha Geeto

Here's a comprehensive summary of the Jain text "Ketlak Bhasha Geeto" by Shilchandrasuri, based on the provided pages:

Book Title: Ketlak Bhasha Geeto (Several Language Songs) Author(s): Shilchandrasuri (Compiler/Editor) Publisher: ZZ_Anusandhan Catalog Link: https://jainqq.org/explore/229682/1 Usage Restriction: JAIN EDUCATION INTERNATIONAL FOR PRIVATE AND PERSONAL USE ONLY

Overall Purpose: This compilation presents a selection of devotional songs and verses composed by Jain poets, primarily in Braj Bhasha mixed with Hindi. These compositions date back to the medieval period and showcase the spiritual devotion of Jain ascetics and laymen towards Tirthankaras and respected Jain acharyas (spiritual leaders).

Key Information and Contents:

• Compiler: The text is presented as compiled by Vijayshilchandra Suri.
• Poet: The songs are attributed to a poet named "Binaychand." It is suggested that Binaychand was likely a householder (grihasth).
• Dating: Based on the hymns dedicated to the acharyas Vijay Sen Suri and Vijay Dev Suri, Binaychand is estimated to have lived in the 17th century. The compiler notes that "Gujarati Sahityakosh" mentions five individuals named Vinayachandra, but this particular Binaychand is believed to be distinct from them.
• Availability of Original Sources: The compiler states that these songs were transcribed from miscellaneous papers years ago. The original pages are no longer available, limiting the scope for re-reading or correction.
• Organization of Songs: The songs are presented in a numbered order, each dedicated to a specific Jain Tirthankara or Acharya:
  1. Shri Ajara Parshvanath Geet: A devotional song praising Parshvanath, highlighting his compassionate nature and the protection he offers. The song describes a severe downpour and the relief provided by the deity. It concludes with Binaychand seeking solace from Parshvanath, who is a source of happiness for all beings.
  2. Mangalpur Mandan Shri Navapallav Parshvanath Geet: This song celebrates Parshvanath, referred to as the "Ornament of Mangalpur" and "New Blossom." It speaks of bathing the deity with water from rivers and oceans, and describes the process of veneration using various fragrant substances and offerings, signifying devotion. The song emphasizes that sincere devotion leads to crossing the ocean of worldly existence.
  3. Girnar Mandan Shri Neminath Geet: Dedicated to Neminath, the "Ornament of Girnar." This song appears to be an expression of deep longing and sorrow from the devotee's perspective. The poet struggles with the act of writing, lamenting the inability to express the depth of their feelings. They express yearning for the deity, with eyes filled with tears, and a desire to be near their beloved. The song concludes with a plea for Neminath to alleviate this separation and unite with Rajulmati.
  4. Unnapur Mandan Shri Neminath Geet: Another song for Neminath, described as the "Ornament of Unnapur." It recounts the story of Rajulmati seeing Prince Nemi and falling in love, similar to the moon and the chakor bird. It details Neminath's departure and Rajulmati's profound sorrow and confusion. She searches for him, and the song ends with Binaychand stating that Nemi has gone to Shivpur, a distant place, leaving Rajulmati in deep grief.
  5. Gachchhanayak Shri Vijay Sen Suri Geet: This song is a tribute to Acharya Vijay Sen Suri, the leader of the Jain order (Gachchhanayak). It praises his divine presence, his teachings, and the impact he had on people, including Emperor Akbar. The song highlights how listening to his advice brought joy, and how people from all walks of life sought his blessings. It concludes by stating that Binaychand proclaims Vijay Sen Suri's fame across all four directions.
  6. Gachchhapati Shri Vijay Dev Suri Geet: This song honors Acharya Vijay Dev Suri, the head of the Jain order (Gachchhapati). It praises him as the successor to Vijay Sen Suri and a figure admired by gods and humans. The song describes his radiant presence, comparing his brilliance to the sun and his wisdom to a jewel. It also highlights his eloquent speech and the virtues of his lineage, concluding with Binaychand recognizing him as the guiding light of the three worlds.

Themes and Significance: The compilation "Ketlak Bhasha Geeto" is significant for several reasons:

• Preservation of Medieval Jain Literature: It serves as a valuable resource for understanding the devotional poetry of Jainism during the medieval period.
• Linguistic Study: The use of Braj Bhasha mixed with Hindi offers insights into the linguistic evolution and regional variations in religious literature.
• Devotional Expression: The songs vividly portray the deep reverence, longing, and spiritual connection that Jain devotees felt towards their Tirthankaras and spiritual leaders.
• Biographical Glimpses: The hymns dedicated to the Acharyas provide some historical context and acknowledge their contributions to Jainism.
• Artistic Merit: The songs, with their structured verses and melodic indications (like "Raag: Gujari," "Raag: Bhairav," etc.), demonstrate the artistic and poetic skills of the Jain poets.

In essence, "Ketlak Bhasha Geeto" is a collection of devotional songs that encapsulate the spiritual fervor and literary traditions of medieval Jainism, offering a glimpse into the lives and beliefs of its followers and prominent figures.