Jinbhaktimay Vividh Gey Rachnao

Here's a comprehensive summary in English of the provided Jain text, focusing on the identified sections:

Book Title: Jinbhaktimay Vividh Gey Rachnao (Various Devotional Chanting Compositions) Author: Muni Kalyankirtivijay (Editor) Publisher: ZZ_Anusandhan

This document appears to be an edited collection of devotional hymns and praises to Jain Tirthankaras, compiled and edited by Muni Kalyankirtivijay. The collection draws from manuscripts preserved in various Jain knowledge repositories.

Section 1: Panch Jinastotrani (Five Hymns to Five Jinendras)

This section contains five hymns composed in the Apabhramsha language, praising five specific Tirthankaras: Lord Adinath, Lord Shantinath, Lord Neminath, Lord Parshvanath, and Lord Mahavir Swami.

• Content: Each hymn is described as highly devotional and melodious. While the author is not explicitly mentioned, there's a suggestion that the names "Uttam" or "Kalyan" within the last hymn might be a clue to the author's identity, and scholars are invited to shed light on this.
• Details in each hymn: The hymns meticulously detail the lives of the respective Tirthankaras. They include:
  • The number of rebirths taken before attaining Samyakva (right faith).
  • The names of their parents.
  • The dates of their five Kalyanaks (auspicious events: conception, birth, renunciation, omniscience, and salvation).
  • Their Lanchhana (emblem).
  • Their complexion (Varna).
  • Their body height.
  • Their lifespan.
  • These details are presented as a beautiful compilation of facts.
• Manuscript Source: The compositions were edited from a photostat copy of a manuscript from the Gyan Bhandar of Chanasma.
• Manuscript Details: The manuscript consists of 8 pages in total. It also includes "Yamakamay Jinstutichaturvinsatika" by Shri Somprabh Suri and another "Stutichaturvinsatika" in Vastu Chhanda. The script is noted for its good writing purity and beautiful, legible characters.
• Estimated Period: Based on the writing style, the compositions are estimated to have been written around the 17th century.

Section 2: Adnyatakartruk-Shad Bhashabaddha Shri Chandraprabh Stava (Praise to Lord Chandrprabh in Six Languages by an Unknown Author)

This section presents a hymn to Lord Chandrprabh, composed in six different languages: Sanskrit, Prakrit, Shauraseni, Magadhi, Paishachiki, and Chulika-Paishachiki (which is also Apabhramsha).

• Structure: The praise begins with two verses in Sanskrit and Prakrit, followed by verses in the other four Prakrit-derived languages. The hymn concludes with a final Sanskrit verse.
• Languages Used: Sanskrit, Prakrit, Shauraseni, Magadhi, Paishachiki, and Apabhramsha.
• Verse Count: A total of 13 verses are included.
• Style: The style is described as very engaging, with the choice of meters being appropriate for each language.
• Author: The author is unknown.
• Manuscript Source: The work was edited from a photostat copy of a manuscript from the Gyan Bhandar of Wadhwan.
• Manuscript Details: The manuscript comprises 2 pages. The letters are legible and beautiful. There are some minor inaccuracies in the writing. In the 12th verse, the last word "Bhuruhakunjara" is suspected to be a writing error, and another word might have been intended.
• Place of Writing: The manuscript was written in Gondal Nagar.

Section 3: Shriramvijayji Krut - Vividh Namagumphit - Shri Jinastavana (Praise to Jinendra Composed by Shriramvijayji, Weaving Various Names)

This section contains a devotional hymn that praises the Tirthankara by incorporating 52 different names.

• Language: The hymn is written in Hindi.
• Style: The style is described as melodious and devotional.
• Structure: It consists of 7 couplets (Kadi).
• Author Identification: The author's name, "Ram," is mentioned in the last couplet. This leads to the inference that the author might be Pandit Shriramvijayji, a disciple of Pandit Sumativijayji Kavi.
• Manuscript Source: The composition was edited from a photostat copy of a manuscript from the Gyan Bhandar of Wadhwan.
• Manuscript Details: The manuscript has 2 pages. The second page also contains the six-language praise to Lord Chandrprabh. The letters are beautiful.
• Place and Period of Writing: The manuscript's colophon indicates it was written in Gondal Nagar. The writing period is estimated to be the 18th century.

Overall Impression:

The book "Jinbhaktimay Vividh Gey Rachnao" is a valuable compilation of devotional literature for Jain scholars and practitioners. It showcases the linguistic and artistic diversity of Jain devotional compositions, ranging from ancient Apabhramsha hymns to Hindi praises, and highlights the detailed knowledge of Tirthankaras' lives prevalent in Jain tradition. The editorial work by Muni Kalyankirtivijay seems thorough, with attention paid to manuscript details and historical context.