Jainendra Kahani 10
Added to library: September 2, 2025

Summary
Here's a comprehensive summary of the Jain text "Jainendra Kahani 10" by Purvodaya Prakashan, based on the provided pages:
Overview of the Collection:
"Jainendra Kahani 10" is the tenth volume in a series of stories by Jainendra. This collection is highlighted for its "interestingness, realism, and sharp subjective and objective depth." It showcases diversity and artistic beauty, presenting itself as a representative selection of the author's work. Notably, some stories included are described as "highly controversial" and have caused "serious upheaval at the intellectual level." The collection is recommended for both general readers and literary researchers.
Summary of Individual Stories (Based on page content):
The provided pages detail several stories, offering glimpses into their themes and narratives:
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"महामहिम" (The Exalted One): This story begins by introducing Upa, a secretary to a "Mahamahim" (a highly respected or powerful person, possibly a political leader). Upa enters the room to find the Mahamahim unusually seated, lost in thought, and looking dejected, which is completely out of character. He notices Upa and asks her to clean the table. The Mahamahim then unexpectedly inquires about Upa's mother's health, showing concern and care, which deeply surprises Upa. He asks about her mother's treatment and expresses his wish that she had informed him earlier. He encourages her to take leave to care for her mother and asks her to convey his regards. The Mahamahim reflects on the vastness of national and international issues he usually deals with, contrasting it with the immediate, human concern for Upa's mother. He is surprised by how easily the larger problems fade when faced with a real human situation. He observes Upa, a seemingly ordinary girl, and realizes the significance of her presence over the abstract global issues. He sends Upa to her mother, but she hesitates as breakfast preparations are incomplete. The Mahamahim, lost in his thoughts, continues to stand and observe Upa as she completes her tasks. He then invites Upa to sit with him, make tea, and share one for herself. He expresses that this unexpected moment of human connection feels more real than his usual responsibilities. He muses that perhaps it's good for him to be occasionally brought back to reality. The story ends with the Mahamahim contemplating the nature of human connection and the superficiality of larger political issues.
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"निश्शेष" (Exhausted/Annihilated): This story focuses on the strained relationship between Sharada and her husband, Ramsharan. Murari, Ramsharan's brother, visits Sharada to convey that Ramsharan wishes to reconcile. Sharada is living alone with her children, working and managing her life after a 15-year separation, during which she felt abandoned and unsupported. She expresses deep resentment and hurt towards Ramsharan, highlighting her struggle to raise their children alone. She initially refuses any contact, stating her desire for peace and to not be disturbed. Murari reveals that Ramsharan has lost his job and is in a difficult situation, suggesting that Sharada should forget the past and reconcile. Sharada, however, remains firm, recalling the pain and hardship she endured. She recounts how she has forgotten the marriage itself. Ramsharan waits outside, hesitant to enter. Murari tries to convince Sharada that Ramsharan is repentant and that she should reconsider. Sharada firmly rejects the idea, stating she has forgotten him and doesn't want to be bothered. The narrative details a tense exchange where Ramsharan's past actions and Sharada's current resilience are brought to the forefront. Ramsharan, in his anger, resorts to threats, while Sharada maintains a defiant stance, highlighting her newfound independence and her unwillingness to be mistreated again. The story touches upon themes of marital discord, abandonment, resilience, and the societal expectations placed upon women.
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"यथावत" (As Is/Unchanged): This story features Jagroop, a bright student who passes his matriculation exams with first division. His mother, Manorama, a primary school teacher earning a modest salary, is happy but also worried about his future. She hopes he will find work after matriculation but fears he might be pushed towards higher education due to his excellent performance. She knows that continuing his studies, especially in a place like Allahabad, will be expensive. Jagroop expresses his desire to study further, aiming for a degree and a good future, which he believes will alleviate his mother's financial struggles. Manorama worries about the cost and mentions the need for scholarships, which Jagroop is trying to secure. She also suggests relying on potential benefactors, but the need for "recommendations" is highlighted. Manorama is portrayed as a devoted mother, sacrificing her own needs for her son's future, but feels helpless against the financial constraints. Jagroop, though hopeful, also feels the weight of his mother's sacrifices. The story ends with Manorama finding a packet of money wrapped in silk, hinting at a possible benefactor or a hidden resource. Manorama then decides they must go to Bhagalpur, an event that deeply puzzles Jagroop, as he doesn't understand the sudden change in plans. The narrative explores themes of parental sacrifice, financial hardship, hope, and the unexpected turns of life.
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"विच्छेद" (Separation): An elder, referred to as Upadhyay Ji, visits Savita, his daughter-in-law, expressing concern about a family crisis. He learns that the family is divided and Savita is isolated in her stance. He tries to persuade her to prioritize family honor and to compromise, reminding her of her role as a "Kulalakshmi" (goddess of the family's fortune). Savita, however, remains resolute. She reveals her deep resentment towards her husband, Keshav, and hints at his past transgressions, possibly involving another woman named Kishore. Savita explains that she cannot be forced to entertain someone who is unwelcome in the house and that her hospitality is not mandatory for those who are not desired. She implies that if Keshav is unwelcome, he should be prevented from entering. Upadhyay Ji tries to pacify her, offering to mediate and get an apology from Keshav. He suggests that even if there's distrust, an exception can be made for the sake of family reputation. Savita reiterates her inability to compromise on her principles, particularly regarding her husband's alleged disrespect and her desire for personal space and autonomy. She makes it clear that she is not asking for anything but wants her boundaries respected. She suggests that if Keshav is a problem, he should be kept out, and she should not be forced to offer hospitality. The conversation highlights Savita's strong sense of self-respect and her unwillingness to be subjected to disrespect within her own home. The story delves into themes of marital conflict, family honor, personal boundaries, and a woman's struggle for respect.
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"मुक्त प्रयोग" (Free Experiment): This story introduces Sheleyn (Shailendra), a man in his thirties who is disillusioned with societal norms and conventions. He carries very little money and seems to be living a bohemian lifestyle. He is described as intelligent, confident, and disdainful of ordinary people. He has experienced a failed marriage and several relationships, often ending due to his unconventional approach to life and his aversion to societal expectations. He believes the world is inherently deceitful and that people in power are corrupt. After leaving a comfortable job, he has embarked on a "free experiment" of living, relying on his intellect and sharp writing skills. He finds himself in a restaurant, contemplating his limited finances. He is then joined by Pramila, a woman he seems to know from his past, who is also experiencing financial difficulties. They discuss their situations and their unconventional lives. Pramila suggests marriage as a solution, offering her financial stability, but Sheleyn resists, valuing his freedom above all else. He criticures her for wanting to "bind" him, while she tries to understand his philosophical outlook. Their conversation touches upon themes of freedom, societal constraints, love, marriage, and the pursuit of an unconventional life.
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"कष्ट" (Suffering/Difficulty): This story begins with Shailendra being unexpectedly called to participate in an important discussion on television with international guests. Despite his initial surprise and the short notice, he agrees. The event is portrayed as significant, with Shailendra impressing both Indian and foreign participants with his insightful contributions. After the discussion, he is rewarded with a substantial amount of money in an envelope. However, while socializing and distracted, he misplaces the envelope. The latter part of the story describes his realization and frantic search for the money, leading to a growing sense of helplessness and distress. He starts experiencing a breakdown, confessing his anxiety to his wife, Pratima. She tries to comfort him, but he is consumed by the belief that he has lost the money and is a "liar." The story explores themes of success, unexpected loss, mental distress, and the impact of financial pressure on an individual's psyche.
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"बेकार" (Useless): This story seems to center around a conversation between a husband and wife. The wife is urging the husband to write a story, highlighting his procrastination and detachment from the mundane realities of life, like financial struggles and family responsibilities. She contrasts his philosophical detachment with the pressing needs of their children and the urgent deadlines for his writing. The husband, on the other hand, expresses his preoccupation with larger issues – global politics, scientific advancements, and philosophical concepts – which he feels overshadow the everyday concerns of family. He feels his mind operates on a different plane, detached from the immediate needs of his household. The wife expresses her frustration with his inability to manage their finances and fulfill his responsibilities, while he seems content in his intellectual pursuits. The dialogue highlights a disconnect between the couple's priorities and their approaches to life, with the wife grounded in practicalities and the husband lost in his abstract thoughts. The story delves into themes of domestic responsibilities, artistic temperament, and the conflict between practical necessities and intellectual pursuits.
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"झमेला" (Trouble/Complication): This story introduces Rajesh, who is waiting to meet Sushma. He is clearly upset with her for not responding to his letters and for her current distressed state. Sushma arrives, looking disheveled and distressed. It's revealed that Sushma left her husband, and Rajesh feels her current situation is a result of her choices. He is conflicted about helping her, torn between his feelings for her and his own moral compass. Sushma expresses her regret and her inability to bear her current situation any longer, pleading with Rajesh to help her. Rajesh, while feeling pity, also expresses his inability to offer unconditional support, especially given his own limited resources and his past negative experiences with relationships and financial commitments. The conversation touches upon themes of regret, difficult choices, financial hardship, and the complexities of past relationships.
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"ये दो" (These Two): This story seems to be about a dilemma faced by Ram Kumar, a father, regarding his daughter, Drupadi (Draupadi), and her complicated marital situation. Drupadi is an educated woman, and her husband, Ajit, is struggling with financial issues, past habits like drinking and smoking, and a potential desire for freedom. Ram Kumar is approached by Ajit, who seeks his intervention and guidance. Ajit expresses his admiration for Drupadi and his desire to be with her, but his current circumstances and past actions have created a rift. Ram Kumar is torn between his daughter's well-being, the societal implications of her situation, and Ajit's plea. He grapples with the idea of reconciliation, considering Drupadi's complicated relationship with her current wife, Vimla. The story explores themes of marital strife, parental responsibility, societal pressures, personal freedom versus responsibility, and the complexities of human relationships. Ram Kumar is concerned about the potential fallout and the impact on Drupadi.
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"छः पत्र, दो राह" (Six Letters, Two Paths): This section comprises a series of letters exchanged between various individuals, primarily focusing on the relationship between Vimi and Digal, and Vimi's interactions with her husband and children. The letters reveal Vimi's deep emotional turmoil, her struggle to balance her life with her husband's emotional absence and her children's needs. Digal seems to be a confidant and possibly a romantic interest, offering support and advice. The letters touch upon themes of marital dissatisfaction, the yearning for emotional connection, the challenges of motherhood, and the search for personal fulfillment. The correspondence highlights the complexities of relationships and the internal conflicts individuals face.
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"जीना मरना" (To Live or To Die): This story follows Leeladhar's efforts to help Sushma, an elderly woman who is ill and has been admitted to the hospital. Leeladhar faces bureaucratic hurdles and delays in getting proper medical attention for Sushma, encountering indifference from hospital staff and officials. The narrative portrays the stark realities of the healthcare system, the indifference of those in positions of power, and the struggles of the common person seeking help. Leeladhar's efforts to ensure Sushma receives a dignified end-of-life care are met with frustration. The story also touches upon the societal indifference towards the elderly and the marginalized, and the dehumanizing aspects of institutional care. The story highlights the stark contrast between the living and the dead, and the institutional mechanisms that govern both.
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"उलट फेर" (Turnabout/Upside Down): This story centers on Pramila, a woman in her late forties, who is compelled to seek employment as a librarian due to financial hardship. She faces initial disappointment when her salary is less than anticipated. Her friend, Sushila, a school principal, tries to help her, but the influential Mr. Mathur, who is the interviewer, appears resistant to offering her a higher salary, possibly due to her beauty and perceived independence. Pramila is forced to accept the lower salary, despite her financial difficulties. The story highlights the struggles of women in society, particularly those who are widowed or divorced, and the challenges they face in finding economic security. It also touches upon the double standards faced by women, where beauty can be both an asset and a source of vulnerability in professional settings. The narrative explores themes of financial struggle, societal expectations, personal resilience, and the compromises women often have to make.
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"चक्कर - सदाचार का !" (The Cycle of Morality!): This story presents a dialogue between the narrator and Mr. Sharma, an influential figure associated with a "morality committee." The narrator, despite his own financial stability and social standing, is tasked with recruiting Mr. Sharma for a leadership role in the committee. Mr. Sharma, however, reveals a cynical and transactional view of morality, suggesting that genuine morality is tied to financial incentives. He openly states that his participation and adherence to moral principles would depend on his income being significantly higher. He implies that positions in such committees are often more about personal gain and influence than genuine moral commitment. The narrator is left disillusioned by Mr. Sharma's perspective, realizing the hypocrisy and corruption that can permeate even organizations dedicated to promoting morality. The story critiques the superficiality of public discourse on morality and the pervasive influence of money and power in societal institutions.
Overall Themes:
Across these stories, several recurring themes emerge:
- Human Connection and Empathy: The stories often highlight the importance of genuine human connection, empathy, and compassion in contrast to abstract societal or political concerns.
- Societal Pressures and Expectations: The narratives explore the constraints and expectations placed upon individuals, particularly women, by society, family, and marital relationships.
- Resilience and Survival: Many characters demonstrate remarkable resilience and strength in the face of adversity, financial hardship, and emotional turmoil.
- Disillusionment and Cynicism: Several stories touch upon disillusionment with societal norms, hypocrisy, and the perceived corruption in institutions.
- The Search for Meaning and Freedom: Characters often grapple with existential questions, the meaning of life, and the pursuit of personal freedom and fulfillment.
- The Complexity of Relationships: The stories delve into the intricate and often challenging dynamics of marital relationships, familial bonds, and friendships.
This collection, through its diverse narratives, offers a nuanced exploration of human experiences, societal structures, and the enduring quest for meaning and dignity in life.