Dravya Sangraha

Added to library: September 1, 2025

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First page of Dravya Sangraha

Summary

Based on the provided text, here's a comprehensive summary of the Jain text "Dravya Sangraha":

Dravya Sangraha: A Compendium of Substances

Dravya Sangraha, authored by Nemichandra Siddhanta Chakravarti and edited/translated by Sarat Chandra Ghoshal, is a fundamental Jain text that systematically explains the core principles of Jain philosophy. The book focuses on the concept of "Dravya" (substance), which is the fundamental constituent of the universe according to Jainism.

Core Concepts:

  1. Dravya (Substance): The universe is composed of Dravyas, which are eternal, real entities that possess attributes and undergo modifications. Dravyas are the fundamental building blocks of reality, remaining unchanged in their essential nature while manifesting various states or modifications.

  2. Jiva (Soul/Living Substance): Jiva is the first and most crucial Dravya. It is characterized by consciousness (Upayoga), is formless (Amurti), is the agent (Karta) of its actions, possesses an extent equal to its own body (Vyavahara Naya), is the enjoyer (Bhokta) of karmic fruits, exists in the cycle of birth and death (Samsara), and has the potential to achieve liberation (Siddha). Its natural motion is upward. Jiva is defined by its essential quality of consciousness, which is obscured by karmas.

    • Nayas (Perspectives): The text distinguishes between different viewpoints or "Nayas" to understand reality:
      • Nischaya Naya (Realistic/Absolute Perspective): Focuses on the essential, pure nature of reality, often highlighting the soul's inherent purity and formlessness.
      • Vyavahara Naya (Conventional/Practical Perspective): Deals with the conventional understanding of reality, acknowledging qualities and forms that arise due to karmic influences.
    • Jñana and Darśana (Knowledge and Perception): Jiva possesses Upayoga, which has two aspects: Darśana (general, detail-less perception) and Jñana (detailed knowledge). Darśana is classified into four types: Chakshu (through the eye), Achakshu (through other senses and mind), Avadhi (psychic knowledge), and Kevala (omniscience). Jñana is also categorized in various ways, including Mati (sensory and mental knowledge), Sruta (knowledge from symbols), Avadhi, Manah-paryaya (mind-reading), and Kevala. The text elaborates on the stages of Mati Jñana (Avagraha, Iha, Avaya, Dharana) and distinguishes between Pratyaksa (direct knowledge) and Paroksa (indirect knowledge).
    • Pranas (Life Forces): Jiva is sustained by four Pranas: senses (Indriya), strength (Bala), life-span (Ayus), and respiration (Anapana).
    • States of Jiva: Jivas are broadly classified as Samsari (those in the cycle of birth and death) and Mukta (liberated souls). Samsari Jivas are further divided into Trasa (mobile, with two or more senses) and Sthavara (immobile, with one sense). Jivas are also categorized by the number of senses they possess (two-sensed, three-sensed, four-sensed, five-sensed), by the presence or absence of mind (Sanjni vs. Asanjni), by their grossness or subtlety (Badara vs. Sukṣma), and by their completeness or incompleteness of development (Paryapta vs. Aparyapta). The fourteen stages of spiritual development (Gunasthana) and the fourteen categories of inquiry (Margaņa) are also described.
  3. Ajiva (Non-living Substance): This category encompasses everything that is not Jiva. The five Ajiva Dravyas are:

    • Pudgala (Matter): The only material substance, characterized by form, touch, taste, smell, and color. It can be fine (Sukshma) or gross (Sthula), and its modifications include sound, union, darkness, image, lustre, and heat. Pudgala can be described as numerable, innumerable, or infinite in its "Pradesas" (spatial units).
    • Dharma (Principle of Motion): A substance that aids the movement of Jiva and Pudgala. It is formless, eternal, and inactive, pervading the universe (Lokakasa) to facilitate motion.
    • Adharma (Principle of Rest): The opposite of Dharma, it aids Jiva and Pudgala in remaining stationary. It is also formless, eternal, and inactive.
    • Akasa (Space): The substance that provides space for all other substances to exist. It is formless, eternal, and pervades the universe (Lokakasa) and beyond it (Alokakasa). Lokakasa contains all Dravyas except Alokakasa.
    • Kala (Time): A substance that helps in the modifications of other substances. It is considered to consist of innumerable, separate "Pradeśas" (particles) and is formless, eternal, and inactive.
  4. Astikaya (Existential Bodies): Jiva, Pudgala, Dharma, Adharma, and Akasa are considered Astikayas because they "exist" (Asti) and have many spatial units ("Kaya"). Kala is excluded from this category as it has only one spatial unit.

  5. Seven Tattvas (Principles): These are central to Jain ethics and the path to liberation:

    • Asrava (Influx): The cause of karmic bondage, referring to the soul's interaction with karmic particles through thought, word, and deed. It is divided into Bhava-asrava (mental activities) and Dravya-asrava (the actual influx of karmic matter).
    • Bandha (Bondage): The state of being bound by karma, resulting from Asrava. It is analyzed in terms of Prakriti (nature of karma), Sthiti (duration), Anubhaga (intensity of experience), and Pradeśa (mass/extent).
    • Samvara (Stoppage): The principle that counteracts Asrava by stopping the influx of new karmas through practices like vows, carefulness, restraints, observances, meditations, and right conduct. It is also divided into Bhava-samvara (mental control) and Dravya-samvara (actual cessation of karmic influx).
    • Nirjara (Shedding of Karma): The process of removing already accumulated karmas. This can happen naturally after the fruition of karma (Savipaka or Akama Nirjara) or through deliberate practice of penance (Avipaka or Sakama Nirjara).
    • Moksa (Liberation): The ultimate goal, achieved through the destruction of all karmas and the soul's attainment of its pure, liberated state. It is understood as Bhava-moksa (mental state of liberation) and Dravya-moksa (actual separation from gross karmic matter).
    • Punya (Merit): Karma that leads to favorable outcomes, associated with auspicious Bhavas.
    • Papa (Demerit): Karma that leads to unfavorable outcomes, associated with inauspicious Bhavas.
  6. The Three Jewels (Trividha-ratna): The path to Moksha requires:

    • Samyak Darśana (Perfect Faith): Sincere belief in the Jain Tattvas.
    • Samyak Jñana (Perfect Knowledge): Accurate, error-free cognition of reality.
    • Samyak Charitra (Perfect Conduct): Refraining from harmful actions and engaging in beneficial ones, as guided by the Vratas, Samitis, and Guptis.
  7. Meditation (Dhyana): Considered crucial for attaining liberation, Dhyana is essential for developing the three jewels. It is classified into four types: Arta (sorrowful), Raudra (fierce), Dharma (righteous), and Sukla (pure). The text emphasizes the importance of controlling one's mind and focusing inwards for effective meditation.

  8. Paraméşthis: The text introduces the concept of meditating on the five supreme beings: Arhats (liberated souls who have conquered karmas), Siddhas (fully liberated souls), Acharyas (spiritual preceptors), Upadhyayas (teachers), and Sadhus (ascetics).

Key Contributions of the Edition:

  • Systematic Presentation: The book aims to be a systematic attempt to publish Jain sacred works with English translations, making the philosophy accessible to a wider audience.
  • Scholarly Approach: It acknowledges the contributions of earlier orientalists and aims for impartiality in presenting the tenets of all Jain sects.
  • Historical Context: The introduction provides valuable historical context, discussing the Ganga Dynasty's patronage of Jainism and detailing the life and achievements of key figures like Chamundaraya, who commissioned the famous Gommatesvara statue.
  • Detailed Explanations: The commentary by Brahma-deva, along with extensive notes and cross-references, provides a thorough explanation of the text's concepts, often contrasting Jain views with those of other Indian philosophical schools.
  • Illustrations and Charts: The inclusion of illustrations and charts helps in visualizing complex Jain cosmological and philosophical concepts.

In essence, Dravya Sangraha, as presented in this volume, serves as an essential guide for understanding the foundational ontological framework of Jainism, emphasizing the nature of reality, the soul, and the path to ultimate liberation.