All For A Photograph

Here's a comprehensive summary of the Jain text "All for a Photograph" by Vishwesh Ranjan Varma:

The story centers on the Raman family, particularly Mr. Raman, who is depicted as exceptionally thrifty and focused on work and the stock market, leaving him with little time for social interactions or non-essential expenditures. His frugality is a common topic of discussion and gentle mockery within his apartment complex. Despite his wealth, he believes that luxury items spoil concentration for important tasks, and "the fewer these items, the happier the person."

The narrative begins with Mrs. Raman and her two sons, Sonu (13) and Monu (12), visiting the newly moved-in Chawla family. The Chawlas are portrayed as cultured and well-to-do, with a beautifully arranged drawing room that impresses Mrs. Raman and the children. The highlight for them is a striking color photograph of the Chawla family displayed prominently on a showcase. This visit sparks a desire in Mrs. Raman to have a similar family photograph to adorn their own home.

Upon returning, Mrs. Raman devises a plan to get a family photograph, envisioning it displayed in their drawing room for visitors to admire. She subtly hints at this desire to her husband, who, sensing a potential expenditure, becomes mentally prepared for a new demand. The children, also influenced by the Chawlas' photograph, enthusiastically join their mother in expressing their wish for a similar family portrait. They believe it will enhance their flat's aesthetic appeal and be a modern decorative element.

Mr. Raman's busy schedule presents a logistical challenge, as studios open late, clashing with his work hours. After some deliberation, the family decides to have the photograph taken on August 15th, a public holiday when businesses are closed, thus ensuring Mr. Raman's availability. Preparations begin, including repainting the showcase and cleaning its glass doors. Mrs. Raman, with the children's help (who contribute their savings), purchases an antique golden frame for the photograph.

On August 15th, as the Raman family prepares to leave for the studio, their neighbors, Vicky and Monty, arrive. It turns out the entire apartment complex is aware of the Ramans' plan, and many residents are watching them depart. The family arrives at the studio, and the photographer, presented as somewhat confused by the family's conflicting instructions on posing and angle, takes the picture. They are given a delivery date of two days later.

The family returns home with anticipation, discussing the upcoming photograph and sharing the experience with their friends. The day of the photograph's delivery arrives with great suspense. Mrs. Raman meticulously cleans the house in preparation for the important guest (the photograph). Mr. Raman returns from work with the packet.

Upon opening the packet, the family is deeply disappointed and critical of the photograph. Mrs. Raman and the children find themselves and their attire to be "ugly," "drowsy-eyed," and "unkempt," feeling that their time, money, and energy have been wasted. Sonu expresses regret that the photographer was paid. Mr. Raman tries to defend his decision, stating that at least they have the photograph after so much preparation, and that some members look natural.

Just as disappointment sets in, a spider descends and begins spinning a web over the antique golden frame. This unexpected event breaks the tension, and the family starts laughing at the absurdity of the situation. Mr. Raman reflects that "nature perhaps abhors a vacuum," and Mrs. Raman admits she had reservations about the photographer. Mr. Raman, while feeling some consolation, acknowledges the financial loss as a "mis-adventure." The chapter concludes with the family contemplating how to address their neighbors' queries about the photograph and Mrs. Raman considering how to handle Mrs. Chawla's visit, all while Mr. Raman feels the sting of the monetary setback.