Agam 13 Upang 02 Rajprashniya Sutra Part 01 Sthanakvasi Gujarati

This is a comprehensive summary of the provided text, focusing on the Jain text "Rajprashniya Sutra Part 01" as outlined in the provided pages:

Book Title: Agam 13 Upang 02 Rajprashniya Sutra Part 01 (Sthanakvasi Gujarati Edition) Author: Ghasilal Maharaj Publisher: A B Shwetambar Sthanakvasi Jain Shastroddhar Samiti Catalog Link: https://jainqq.org/explore/006441/1

Overall Context: The provided text is the first part of the Rajprashniya Sutra, a Jain scripture, accompanied by a Gujarati commentary titled "Sudhini Tika" by Ghasilal Maharaj. The work is published by the All India Shwetambar Sthanakvasi Jain Shastroddhar Samiti. The text begins with traditional Jain invocations and auspicious verses.

Key Themes and Content:

1. Invocations and Blessings (Pages 1-3):

   • The text opens with the Navkar Mantra (Namo Arihantanam, Namo Siddhanam, etc.), a fundamental prayer in Jainism, invoking the five supreme beings for purity and auspiciousness.
   • It mentions the "Jinaagam Prakashan Yojana" and dedicates the publication to the teachings of Acharya Shri Ghasilalji Maharaj.
   • The title "Shri Rajprashniya Sutra Bhag 1" is clearly stated.

2. Publisher and Edition Details (Pages 4-5):

   • The text provides details about the publication, including the commentary "Prameyachandrika" by Jainacharya Pujya Shri Ghasilalji Maharaj.
   • It mentions Hindi and Gujarati translations.
   • The organizing committee and publisher are identified as "Akhil Bharatiya Shwetambar Sthanakvasi Jain Shastroddhar Samiti," with Shri Baldevbhai Dosabhai Patel as the chief patron.
   • The second edition was published in 1990 (Veer Samvat 2516, Vikram Samvat 2046) in Ahmedabad.
   • The price is mentioned as Rs. 100.00.
   • A verse from the text itself is quoted, emphasizing that effort should be focused on those who understand the essence, and that time and the earth are vast.

3. Guidelines for Study (Swadhyaya) and Prohibited Times (Aswadhyaya) (Pages 6-10):

   • This section provides detailed and specific instructions for the study of the original text (Mulpath).
   • Permitted Study Times: Day and night's first and fourth prahar (periods).
   • Prohibited Times: Two ghadi (48 minutes) during Ushakaal (dawn), Sandhyakaal (dusk), noon, and midnight. This also includes 24 minutes before and after sunrise.
   • Restrictions related to Women: Women in their menstrual cycle should not read or be present during study. Study should occur in a separate room.
   • 32 Prohibited Times (Aswadhyaya Prasang):
     • 10 related to the Sky (Akash Sambandhi): Falling stars (Ulkapata), directional fire (Digdaha), thunderous sounds (Garjarav), divine roars (Nirdhat), lightning (Vidyut), specific twilight conditions (Yupak), electrical flashes (Yakshadipta), thick fog (Dhumika Krishna and Mahika Shweta), and dust storms (Rajo Udbhat).
     • 10 related to the Physical Body (Audarik Sharir Sambandhi): Bones, flesh, blood, a broken egg, excreta/urine, cemetery grounds, lunar eclipse, solar eclipse, royal unrest (Rajvyagrata), and death or mourning periods.
     • Specific Days: Four festival full moons and the four subsequent new moon days (eight days total).
     • Twilights: Times around sunrise and sunset.
     • Midday and Midnight: Periods before and after.
   • Important Note: These rules are for the original text (Mulpath) and not for translations. Humility and obedience to elders are emphasized.

4. Table of Contents (Vishayanukramanika) (Pages 11-12):

   • This section provides a detailed index of the topics covered in the first part of the sutra. It outlines the narrative progression, which largely revolves around the celestial being Suryabhadeva and his interactions with Lord Mahavir.
   • Key Events and Descriptions:
     • Description of the city Amalakalpa.
     • Suryabhadeva witnessing Jambudvipa through Avadhijnana (clairvoyance).
     • Suryabhadeva's arrival to pay respects to Lord Mahavir in Amalakalpa.
     • Description of the divine assembly (Samavasarana).
     • Suryabhadeva's proclamation and arrangements for his visit.
     • Suryabhadeva's salutation and introduction to Lord Mahavir.
     • Lord Mahavir's discourse on duty.
     • Suryabhadeva's interaction with the Dharma.
     • Suryabhadeva's questions and answers about the path to liberation.
     • Lord Mahavir's request to Suryabhadeva to demonstrate theatrical performances (Natya Vidhi).
     • Description of Suryabhadeva's Samuddhat (display of powers).
     • Suryabhadeva's performance of Natya Vidhi.
     • Suryabhadeva retracting his divine powers.
     • Questions and answers regarding the retraction of divine powers.
     • Description of the Suryabhadeva Vimana (celestial vehicle).
     • Description of palaces and residences.
     • Description of the Supreme Vedika (altar/platform).
     • Description of the main palace and its surroundings.
     • Description of Sudharma Sabha (assembly hall) and its contents.
     • Description of the Jin Idol and its attributes.
     • Description of Upapat Sabha.
     • Suryabhadeva's contemplation after Upapat.
     • Suryabhadeva's actions as per Sumanikadeva's advice.
     • Suryabhadeva's Indra-abhisheka (coronation).
     • Revival of Suryabhadeva Vimana by celestial beings.
     • Suryabhadeva's Indra-abhisheka and related events.
     • Suryabhadeva adorning himself with perfumes and other decorations.
     • Suryabhadeva's daily activities.
     • Discussion on image worship (Pratima Puja).
     • Suryabhadeva's entry into Sudharma Sabha.
     • Gautam Swami's questions about Suryabhadeva's state.

5. Mangalacharan (Auspicious Invocation) (Pages 13-18):

   • This section provides the Gujarati translation and a detailed commentary on the initial invocation verses.
   • The verses praise Lord Vira, highlighting his qualities: repository of virtues, remover of sins, giver of liberation, adored by gods, the sovereign of Siddhashila, dispeller of the Kali Yuga's sins, source of pure knowledge, and the Indra of Munis.
   • The commentary delves into the philosophical implications of these epithets, particularly addressing the nature of the soul, karma, and the path to purification and liberation. It emphasizes that true purity is achieved through overcoming imperfections and that no soul is inherently free from karma from the beginning.

6. Detailed Narrative Episodes (Pages 19-117):

   • The majority of the text follows the detailed narrative of Suryabhadeva's journey and interactions.
   • Amalakalpa City: Described as prosperous, secure, and beautiful, with an Ashoka tree in the Amra-Sala forest where Lord Mahavir is preaching.
   • Suryabhadeva's Vision and Curiosity: Suryabhadeva, residing in Saudharmakalpa, observes the earthly realm with his clairvoyance (Avadhijnana) and sees Lord Mahavir.
   • Suryabhadeva's Decision to Visit: Impressed by Lord Mahavir's presence and teachings, Suryabhadeva decides to visit him.
   • Preparation and Procession: Suryabhadeva commands his courtiers and the 32 classes of celestial beings to prepare for the visit. This includes detailed descriptions of the divine procession, musical instruments, decorations, and elaborate preparations for greeting Lord Mahavir.
   • The Dance Performance (Natya Vidhi): Suryabhadeva is asked by Lord Mahavir to demonstrate his celestial powers through dance. Suryabhadeva performs various intricate dances with celestial damsels.
   • Suryabhadeva's Questions to Lord Mahavir: After the performance, Suryabhadeva, seeking spiritual guidance, asks Lord Mahavir about his own spiritual state: whether he is Bhaumukta (liberated in this life) or Abhaumukta (liberated after death), his perspective (Samyak Drishti vs. Mithya Drishti), his cycle of births (Parita Sansari vs. Aparimita Sansari), his potential for liberation (Sulabhbodhi vs. Durlabhbodhi), his adherence to spiritual vows (Aradhak vs. Viradhak), and his final existence (Charam vs. Acharam).
   • Lord Mahavir's Answers: Lord Mahavir provides detailed answers to Suryabhadeva's questions, confirming his virtuous state and guiding him.
   • Description of Suryabhadeva Vimana and its components: Extensive descriptions of Suryabhadeva's celestial vehicle, its various parts, palaces, altars, the Sudharma Sabha, idols of Jinas, and the divine retinue are provided.
   • Rituals of Worship: The text details Suryabhadeva's actions upon arriving at Lord Mahavir's location, including circumambulation, bowing, purification rituals, offering flowers, perfumes, and incense.
   • Discourse on Dharma: Lord Mahavir imparts religious teachings to Suryabhadeva and his assembly.
   • Suryabhadeva's Royal Duties: The text touches upon Suryabhadeva's governance and responsibilities as a celestial king.

Commentary's Role ("Sudhini Tika"): The commentary plays a crucial role in explaining the complex philosophical, cosmological, and ritualistic aspects of the sutra. It often refers to other Jain scriptures like the Aupapatika Sutra for further clarification, demonstrating a deep engagement with Jain tradition. The commentary also includes extensive details about celestial beings, their vehicles, assemblies, and the specifics of their adornments and actions.

Underlying Jain Principles: The text reflects core Jain principles such as:

• The importance of correct perception (Samyak Darshan).
• The concept of karma and its influence on rebirth.
• The path to liberation (Moksha) through ethical conduct and spiritual discipline.
• The reverence for Tirthankaras and Jinas.
• The detailed descriptions of celestial realms and beings, reflecting the Jain cosmology.
• The meticulous adherence to ritual and practice, even among celestial beings.

This summary covers the main points and narrative structure of the provided text, highlighting the key events and teachings within the context of Jain philosophy and tradition.