Agam 06 Gnatadharmkatha Sutra Satik Gujarati Anuvad

This is a comprehensive summary of the Jain text "Agam 06 Gnatadharmkatha Sutra Satik Gujarati Anuvad" by Dipratnasagar and Deepratnasagar, published by Deepratnasagar. The provided text, which is part 14 of a larger series of Agam Sutra translations, focuses specifically on the Gnatadharmkatha Sutra, the sixth Anga (limb) of the Jain Agamas.

Here's a breakdown of the key information and content based on the provided pages:

1. Title and Author:

• Book Title: Agam 06 Gnatadharmkatha Sutra Satik Gujarati Anuvad (Agam 06 Gnatadharmkatha Sutra with Commentary and Gujarati Translation)
• Author(s): Dipratnasagar, Deepratnasagar
• Publisher: Deepratnasagar
• Series: Agam Satik Anuvad (Agam Sutra with Commentary Translation)
• Part Number: This specific volume is part 14 of the translation series.

2. Content of the Gnatadharmkatha Sutra (as per the text):

• Designation: It is the 6th Anga Sutra, also known as "Nathadhama" in Prakrit and "Natadharmakatha" in Sanskrit.
• Structure: It contains two Shrutaskandhas (sections of scripture).
  • The first Shrutaskandha has 19 Adhyayanas (chapters/lessons).
  • The second Shrutaskandha consists of 10 Vargos (classes/categories), which also contain sub-adhyayanas.
• Subject Matter:
  • The first Shrutaskandha is called "Gnaat" and includes both factual narratives and illustrative didactic stories (Kalpanik Prasang).
  • The second Shrutaskandha is called "Dharmakatha" and contains actual religious stories.
  • The primary focus is on "Kathanuyog" (narrative discourse).
  • Notably, at the end of each story, there is a concluding moral teaching from Bhagavant (the enlightened one), which has elements of "Charankarananuyog" (conduct discourse).

3. Translation and Commentary:

• The text represents a literal translation of the original Agam (moolsutra).
• The commentary provided is termed "Tidanusari Vivechan" (Commentary according to the Tika/commentary).
• The primary basis for the commentary is the Vritti (a type of commentary).
• The author notes that they are not aware of any Niryukti or Churni (other forms of commentary) specifically for this Sutra.
• The symbol "-X-X-" is used to indicate where parts of the Vritti have been omitted.

4. Key Figures and Narratives (Illustrative Examples from the text): The provided pages offer a detailed look at the beginning of the translation and commentary, showcasing the style and content. Several stories and characters are introduced:

• Champa City: The narrative begins by describing the city of Champa, setting the scene for events.
• King Konik: Mentioned in relation to Champa.
• Arya Sudharma: A disciple of Bhagavant Mahavir, who is a central figure in the initial discourse with Jambu Swami.
• Arya Jambu Swami: Another prominent disciple of Bhagavant Mahavir, who interacts with Arya Sudharma.
• Meghakumar: A significant character whose story is narrated in detail, illustrating principles of conduct and consequences. This includes his past lives and journey, his attachment to sensual pleasures, and his eventual renunciation.
• King Shrenik and Queen Dharini: Their story unfolds concerning a dream, its interpretation, and the king's subsequent actions.
• Abhaykumar: The son of Shrenik and Dharini, who plays a role in resolving a situation.
• King Koshak (or Kushak): Likely a reference to a king whose dynasty or lineage is mentioned.
• Rani Pahladi: The wife of King Koshak, whose story involves a vow and its fulfillment.
• Sagaradatta Sarthavaha: A merchant whose son, Sagarkumar, becomes entangled in a situation involving the dancer Devadatta and the Sarthavaha's own daughter, Poshila. This narrative highlights the consequences of actions and the importance of virtue.
• Chilata Das: An ill-behaved servant who causes trouble.
• Vijaya Chor: A notorious thief.
• King Krishna Vasudeva: A powerful figure whose actions and interactions are described.
• The Pandavas and Draupadi: Their story is recounted, particularly regarding the events involving Krishna Vasudeva and the kidnapping of Draupadi.
• King Kunkya and Rani Pahalati: Their story involves the birth of a son, Kanakdhwaj, and the machinations surrounding his destiny.
• King Kunkya’s minister Tetali: His story reveals his deceitful nature and the consequences of his actions.
• Mallikama: A virtuous princess, whose story highlights purity and detachment.
• Shailaka Raja: His story is presented as a cautionary tale.
• Narada Muni: Appears in a narrative, highlighting the contrast between the worldly and the spiritual.
• Dharmaruchi Anagar: His story emphasizes the importance of righteous conduct and the consequences of attachment.
• Rukmini and Shrimati: Characters whose stories are part of the broader narratives.
• Shuk Parivrajaka: A wandering ascetic whose discourse on purity is contrasted with worldly attachments.
• Nand Manikar: A wealthy artisan whose actions lead to his downfall.
• Nanda Pushkarini: A beautiful pond created by Nand Manikar, which becomes a focal point in some narratives.
• Dharmakatha: The second Shrutaskandha containing actual religious stories. The text describes how the first part of this section deals with 10 Vargos (classes) and further divisions into Adhyayanas. The summary lists the titles of these Vargos and their subsequent Adhyayanas (e.g., Kali, Sandhya, Meghadi).

3. Financial Support and Acknowledgements: The initial pages contain extensive acknowledgments (Rin-svikar) and lists of "Dravya Sahayaka" (Financial Supporters/Donors). This indicates that the publication of this extensive series of translations is a collaborative effort supported by numerous Jain Sangh (organizations) and trusts, highlighting the significant undertaking and community support behind this work.

4. Publisher's Other Publications: The later pages provide a catalog of other publications by the publisher, Muni Dippratnasagar. These include:

• Original Agam Sutras in a compiled set.
• Gujarati translations of Agam Sutras.
• "Agam Sutra Satik" series (Original Sutras with extensive commentary).
• Agam Vishay Granth (Index of Agam subjects).
• Agam Shabdkosh (Agam Vocabulary Dictionary).
• Agam Naamkosh (Agam Name Dictionary).
• Hindi translations of Agam Sutras.
• Agam Katha Noyog (Compilation of narratives from Agams).
• Agam Mahapujan Vidhi (Rituals for Agam worship).
• Various literature on grammar, lectures, Tattvabhyas (study of principles), Aradhana (spiritual practice), rituals, worship, Yantras, Jin bhakti (devotion to Jin), and miscellaneous subjects.

Overall Purpose and Scope: The publication aims to provide a detailed, scholarly, and accessible Gujarati translation with commentary of the Gnatadharmkatha Sutra, which is part of the foundational Jain scriptures (Agams). The extensive listing of other publications by the publisher suggests a dedicated effort to disseminate Jain religious literature in various forms. The detailed summary of the narratives within the Gnatadharmkatha Sutra indicates the text's focus on ethical teachings, moral lessons, and the consequences of actions through illustrative stories. The inclusion of detailed descriptions of characters, settings, and even visual elements (like the description of the ash-covered ascetic) shows the depth of the commentary.