Agam 05 Bhagvati Sutra Satik Gujarati Anuvad

This is a comprehensive summary of the provided Jain text, "Agam 05 Bhagvati Sutra Satik Gujarati Anuvad," based on the pages you've shared.

The text appears to be a translation and commentary of the Bhagvati Sutra, which is the fifth Anga (canonical text) in the Svetambara Jain tradition. The provided pages focus on the introductory and initial sections of this massive work.

Here's a breakdown of the content:

Overall Scope and Purpose:

• Title: Agam 05 Bhagvati Sutra Satik Gujarati Anuvad (Agam 05 Bhagvati Sutra with Commentary in Gujarati Translation).
• Translator/Commentator: Muni Deepratnasagar.
• Publisher: Deepratnasagar.
• Goal: To provide a detailed, annotated Gujarati translation of the Bhagvati Sutra, making its profound teachings accessible to a wider audience, particularly those who may not have a deep understanding of Sanskrit and Prakrit.
• Significance: The Bhagvati Sutra is considered one of the most extensive and important Jain Agamas, covering a vast range of philosophical, cosmological, ethical, and practical topics within Jainism.

Key Sections and Content:

1. Introduction and Salutations (Pages 1-3):

   • The text begins with traditional Jain invocations, such as "Namo Arihantanam" and greetings to revered Acharyas (Shri Anand-Kshama-Lalit-Sushil-SudharmaSagar Gurubhyo Namah).
   • It acknowledges Muni Deepratnasagar as the creator of the translation series, specifically for "Bhagvati," the 5th Anga Sutra.
   • A specific date is mentioned for the translation work, indicating dedication and a structured approach.
   • The acknowledgments highlight the significant financial and inspirational support received from various Jain sanghas (organizations) and trusts, particularly mentioning the inspiration from Pujya Acharyashri Hachamchandrasurishwarji and the financial support from Acharyashri Devendrasagarsurishwarji and Acharyashri Harshsagarsuriji, along with the Ahmedabad Jain Sangh and Surat organizations.

2. Publisher's Information and Publications (Pages 4-12):

   • The publisher, Deepratnasagar, details its extensive work in publishing Jain literature.
   • A list of published works is provided, showcasing a comprehensive collection of Jain Agamas, their translations, commentaries, indexes, and related literature. This list includes:
     • Mool Agamas (Original Texts): 49 publications covering 45 core Agamas and 4 additional ones.
     • Agam Gujarati Anuvad (Gujarati Translation): A popular 7-part series of the 45 Agamas.
     • Agam Sutrani Satik (Commented Agamas): A voluminous 30-part series of Agamas with extensive commentaries, including Niryuktis, Vruttis, Bhashyas, and Churnis.
     • Agam Vishay Darshan: An index of Agamas.
     • Agam Sahakroso: A Jain Agama dictionary with extensive cross-references.
     • Agam Namkoso: A dictionary of names and characters appearing in the Agamas.
     • Agam Sutra Hindi Anuvad: A Hindi translation of the Agamas.
     • Agam Katha Anuog: A compilation of stories and narratives from the Agamas.
     • Agam Mahapujan Vidhi: Rituals for worshipping Agamas.
     • Various other publications related to grammar, lectures, philosophy, rituals, and practices.
   • The publisher emphasizes the scholarly value and rarity of these publications, noting that many are out of stock due to high demand and limited availability.

3. Introduction to Bhagvati Sutra (Pages 12-13):

   • The text introduces the Bhagvati Sutra itself.
   • Position: It is the 5th Anga Sutra, famous in Prakrit as "Bhagvati" and also known as "Vith Gafas" or "Vithai". In Sanskrit, it's called "Kavati" or "Sthapiti".
   • Structure: It has one Shruta Skandha and 41 Shatakas (chapters, where 'adhyayan' is referred to as 'shatak').
   • Content: The primary subject matter revolves around the discussion of "Svasamaya" (one's own doctrine) and "Parasama" (other doctrines). It features questions posed by various spiritual figures (Indrabhuti, Agnibhuti, Vayubhuti, certain deities, lay followers) and the answers provided by Lord Mahavir. It is characterized by its emphasis on "Dravyānuyoga" (discussion of substances) but also includes elements of the other three Anuyogas (Karmaṇuoga, Dharmalogy, and Vyakaranuoga). Specific topics mentioned include Karma Prakriti, types of death, samudghata (emanation of soul particles), astikayas (categories of existence), actions, pudgala (matter), sensation, tamaskaya (dark matter), pratyakhyan (renunciation), lok (universe), and language.
   • Translation Approach: The translation includes the original Prakrit verses and a commentary ("Vivechan") that draws from the "Vritti" (commentary) and sometimes the "Bhagvati-Churni" (a further commentary). It notes that discussions on grammar, logic, and debates are sometimes omitted, indicated by "X - X -".

4. Beginning of the Bhagvati Sutra Text (Pages 13 onwards):

   • Invocation: The text includes a detailed invocation to the Omniscient, Lord Jin, acknowledging His perfect knowledge, auspicious attributes, and role as the dispeller of suffering.
   • Introduction to the Sutra's Nature: The Bhagvati Sutra is described metaphorically as an "uttam jayakunjara" (excellent victorious elephant), entertaining to the wise, and unwavering in its essence. It highlights the depth and richness of the text, comparing its words to the comprehensive nature of an elephant's attributes.
   • First Sutra (Page 17 onwards): The text begins to unfold the actual content with the first sutra, which is a series of salutations: "Namo Arhantanam," "Namo Siddhānam," "Namo Ācharyāṇām," "Namo Upādhyāyānam," "Namo Sarva Sādhūnam."
   • Commentary on Sutra 1: The commentary meticulously explains each salutation, detailing the significance of "Namo" and the epithets used for Arhats, Siddhas, Acharyas, Upadhyayas, and Sadhus. It delves into the meanings of "Arhant" (one worthy of worship, one whose radiance is not diminished), "Siddha" (liberated souls), and the qualities of the spiritual hierarchy in Jainism. The etymology of "Arhanta" is explored, and reasons for the specific order of salutations are discussed.
   • Sutra 2 (Page 18): "Namo Brahmilipaye" (Salutations to the Brahmi script). The commentary explains the significance of script and its divine origin.
   • Sutra 3 (Page 18-19): It introduces the first Shataka (chapter) of the Bhagvati Sutra and lists the ten Uddeshakas (sub-divisions or topics) covered in it: Chalana (movement), Duhkha (suffering), Kankshapadosha (flaws of desire), Prakruti (nature of karma), Prithvi (earth element), Yavanta (quantification), Nairayika (hell dwellers), Bala (childlike), Gutaka (essence), and Chalana (again, perhaps emphasizing the theme of movement or cycles).
   • Detailed Explanation of Concepts: The text then proceeds to provide explanations for these topics, starting with the meaning of various terms like "namah," "Arhanta," and "Siddha." It begins to elaborate on the nature of the universe, actions, and beings, as covered in the initial parts of the Bhagvati Sutra.

Overall Impression:

The provided pages offer a glimpse into the meticulous and scholarly work of translating and interpreting the profound Jain Agamas. The dedication to providing detailed commentary, even on the initial salutations, highlights the deep reverence and commitment to preserving and disseminating these spiritual teachings. The extensive list of publications further demonstrates the publisher's commitment to Jain literature. The text is rich in philosophical and doctrinal detail, characteristic of the Bhagvati Sutra.

This summary is based solely on the provided text. For a complete understanding of the Bhagvati Sutra's content, a full study of the text and its commentaries would be necessary.