30 Divasni 30 Vato
Added to library: September 1, 2025

Summary
Here's a comprehensive summary of the Jain text "30 Divasni 30 Vato" by Pujyashri Chitrabhanuji, based on the provided pages:
Book Title: 30 Divasni 30 Vato (30 Stories/Sayings for 30 Days) Author: Pujyashri Chitrabhanuji
This book, "30 Divasni 30 Vato," presents a collection of insightful and morally instructive short stories and reflections, each designed to impart a spiritual or philosophical lesson. Pujyashri Chitrabhanuji, a renowned Jain spiritual leader, philosopher, and author, uses simple narratives to convey profound truths rooted in Jain principles and universal wisdom.
The book opens with a "Mangal Bhavna" (Auspicious Wish) on page 3, expressing a desire for universal well-being, love, compassion, and the abandonment of hatred, encouraging all humans to embrace these noble sentiments.
The subsequent pages (4-31) contain individual stories and parables, each highlighting a specific virtue or concept:
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Page 4: Antar nu Ajwalu (Inner Light): This parable illustrates the difference between filling a home with material things versus filling it with light and fragrance. One son brings grass, filling the home with "waste," while the other brings an incense stick and candle, filling it with "light." This emphasizes the value of inner radiance and spirituality over material possessions.
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Page 5: Man ni Nirbalta (Weakness of Mind): This story uses the analogy of a snake and a mouse to show how fear and the weakness of the mind can be more dangerous than any external threat. It highlights that the mind can make one a sinner or a conqueror, and conquering the mind leads to conquering the world.
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Page 6: Prem Amap (Immeasurable Love): A shepherdess's selfless love for her beloved, demonstrated by giving him milk without calculating its value, leads to a reflection on the immeasurable nature of divine love. True love cannot be measured by material means.
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Page 7: Purusharth ke Prarabhdh? (Effort or Destiny?): This parable of the boatman using two oars, "Purusharth" (effort) and "Prarabhdh" (destiny), illustrates the Jain philosophy of Syadvada (conditional predication) and Anekantavada (multiplicity of viewpoints). It suggests that both effort and destiny work together to navigate life, and solely discussing one without the other leads to stagnation.
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Page 8: Jwala ane Jal (Flame and Water): This story contrasts a fiery, angry wife with a calm, witty husband. The husband's gentle humor dissolves her anger, illustrating that forgiveness (water) can extinguish the flames of anger.
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Page 9: Bindu ma Sindhu (Ocean in a Drop): A disciple is awestruck by a sunset and encourages his Guru to witness nature's beauty. The Guru, Anandghanji, responds by pointing to the inner spiritual beauty that is infinitely greater than any external spectacle, comparing the soul's infinite qualities to an "ocean in a drop."
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Page 10: Drishti Tevi Srushti (As is the Vision, So is the World): This parable demonstrates how one's perspective shapes their perception of the world. If one looks for faults, they will find them everywhere, whereas looking for virtues reveals goodness in all. It suggests that what we perceive as bad in others is often a reflection of our own inner state.
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Page 11: Surta ni Parakashtha (The Pinnacle of Awareness): A lion cub is scared by hunters. Its mother explains that humans are the only creatures who kill their own kind based on differences like country, religion, or language. It highlights that religion and culture are meant to unite, not divide.
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Page 12: Mitraone Hun Khata Nathi (I Don't Eat My Friends): A story about Bernard Shaw refusing to eat meat, stating that animals are his friends and he doesn't eat his friends. This is a powerful statement on vegetarianism and compassion for all living beings.
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Page 13: Prem Pushp no Bhar (The Weight of a Love Flower): A prince's virtue is tested by weighing him against gold and jewels. His virtuous wife's single rose, offered with love, outweighs all the material wealth, showing that love and purity possess immense power.
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Page 14: Drishti Nahi, Darshan (Not Sight, but Vision): Four blind men argue about the color of a glass, each relying on secondhand information. The doctor reveals that all colors are present. This story emphasizes the importance of direct experience and seeing multiple perspectives (Syadvada) rather than blindly following others' opinions.
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Page 15: Shraddha no Satkar (The Welcome of Faith): A politician repays a debt to someone who lent him money without any written agreement, prioritizing trust over formal contracts. This act of integrity earns him respect and a greater reward. It shows that faith and trust are honored.
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Page 16: Hriday (The Heart): A king's rule to fill the vessels of those who knock at his door at dawn leads to a monk's seemingly bottomless vessel. The king learns that the human heart, driven by greed, is never satisfied, and true contentment comes from inner satisfaction.
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Page 17: Jhanjhva ne Chahavu (Loving a Mirage): A wealthy but materialistic man, while praying, dismisses a needy person. A visitor points out that if he truly loved God, he would not reject his living image (a fellow human in need).
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Page 18: Sansar Shu Chhe? (What is the World?): This philosophical discussion between the body and soul debates who is responsible for sin. The conclusion is that sin arises from the union of the soul and the body, and this union is the essence of worldly existence (sansar).
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Page 19: Maitri nu Madhurya (The Sweetness of Friendship): A story of two friends, one a thinker and the other a minister. The thinker promises to be there for his friend during difficult times, not just when he is popular. This highlights true friendship as being supportive in adversity.
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Page 20: Bhasha ni Bhavyata (The Grandeur of Language): A story about young Siddhraj Jaisingh, who cleverly answers the Delhi emperor's challenge by equating being held by both hands to a life-long commitment, just as a husband holds his bride. This demonstrates wit and eloquence.
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Page 21: Visarjan Nahi, Sarjan (Not Dissolution, but Creation): Akbar draws a line and asks someone to shorten it without erasing it. Birbal succeeds by drawing a longer line next to it. This teaches that true success comes from self-improvement and growth, not by diminishing others.
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Page 22: Antar ni Aankh (The Eye of the Heart): Observing a couple arguing and a bulbul and flower appreciating each other, the narrator realizes that true beauty lies not in external things but in love and the appreciation of qualities.
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Page 23: Ahankar Olvayo (Ego Extinguished): An incense stick and a candle are side-by-side. The proud candle mocks the humble incense stick, only to be extinguished by a gust of wind, while the incense stick's fragrance continues to spread. This highlights that ego leads to downfall, while humility and inner qualities (contentment) endure.
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Page 24: Shabd Nahi, Sanvedan (Not Words, but Feeling): Two brothers return from studying. The elder recites scriptures, while the younger states that the divine cannot be captured by words but only experienced. The father is pleased with the younger's understanding, emphasizing the importance of inner experience over rote learning.
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Page 25: Prem nu Prabhutva (The Dominance of Love): A king, disguised as a traveler, encounters a beggar who falsely accuses him of stealing his horse. The judge's simple test – to tie the horse and then have the beggar bring it back – reveals the king's ownership because the horse was drawn to him by love, while it was dragged by the beggar out of fear. Love is mastery, fear is servitude.
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Page 26: Sharir Nahi, Sarva Jive Chhe (Not the Body, but All Life): Observing roses being used for perfume and jam, a compassionate person laments their fate. The roses respond that even in destruction, they live on through their fragrance, and that humans often crush those who bloom and smile out of envy, but fail to recognize that true existence continues.
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Page 27: Aacharan (Conduct/Behavior): A young man, in a hurry, bumps into an elderly blind man. Instead of apologizing, he pushes the old man. The old man's gentle response and concern for the youth deeply impact the young man, who realizes the true meaning of inner peace and goodness.
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Page 28: Jeine Chhodyu, Tene Koi Na Ched! (He Who Lets Go, No One Harms Him!): A dog with a bone is chased by other dogs. When it drops the bone, the chase stops. This continues with subsequent dogs. The sage observes that those who cling to possessions suffer, while those who let go find peace and are unharmed.
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Page 29: Sansar ni Sherdi (The Sugarcane of the World): Poet Tukaram, while distributing sugarcane to children, is hit by his angry wife. He playfully accepts it as sharing the sugarcane, signifying overcoming anger with love and acceptance.
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Page 30: Prakash ane Andhkar (Light and Darkness): A man dreams that a prostitute goes to heaven and a monk goes to hell. A seer explains that the prostitute was critical of herself and admired the monk, while the monk was arrogant about himself and critical of the prostitute. This shows that self-criticism and admiration for others lead to light, while self-praise and criticism of others lead to darkness.
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Page 31: Maan Gale To Gyan Male! (If Pride is Swallowed, Knowledge is Gained!): Bahubali undertook severe penance but couldn't attain perfect knowledge due to his pride. His sisters advised him to descend from his ego to receive enlightenment. Upon humility, he attained perfect knowledge.
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Page 32: Ajarpat (The Unchanging Garment): A guru shows his disciple a seemingly ordinary iron box. When the guru places a touchstone (Parasmani) into it, the iron box transforms into gold. This parable illustrates that when worldly attachments (iron) are removed by the touchstone of wisdom and detachment, the soul (which is inherently divine) reveals its true golden nature.
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Page 33: Prem na Tebha (The Stitches of Love): A king commissions a tailor to make a robe identical to one worn by a saint. Despite the tailor's skill, the king notes the stitches are not the same. The tailor explains that the saint's robe was stitched with love, something the king could not replicate.
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Page 34: Zankhi (Glimpse): This page provides a brief biography of Pujyashri Chitrabhanuji, highlighting his birth, education, period as a Jain monk, his renunciation of the order in 1971, his professorship at the State University of New York, his spiritual realization in 1981, and his current role as a global spiritual guide promoting non-violence, Anekantavada, and spirituality. It also mentions his popular books, including those published in English.
Overall Theme:
The book emphasizes the cultivation of positive virtues such as love, compassion, humility, forgiveness, faith, contentment, and self-awareness. It uses simple, relatable stories to illustrate complex philosophical and ethical concepts, encouraging readers to reflect on their own lives and strive for spiritual growth. The narratives often draw upon Jain principles like Anekantavada and the importance of non-violence and respect for all life.