1151 Stavan Manjusha

This Jain text, titled "1151 Stavan Manjusha" (૧૧૫૧ સ્તવન મંજુષા), is a comprehensive collection of 1151 devotional songs (Stavans) composed by various revered Jain monks and scholars. Compiled and researched by Sarabhai Manilal Nawab, the book was published in Vikram Samvat 1995 (1939 CE) by Shree Jain Prachin Sahityoddhar Granthavali.

Key aspects of the book:

• Title: 1151 Stavan Manjusha (A Treasury of 1151 Devotional Songs)
• Author/Compiler: Sarabhai Manilal Nawab
• Publisher: Shree Jain Prachin Sahityoddhar Granthavali
• Publication Date: Vikram Samvat 1995 (1939 CE)
• Content: The book contains a collection of 1151 Stavan compositions attributed to numerous Jain ascetics and scholars from the 17th century to the late 19th century. These Stavan's are described as "heartfelt outpourings" and "drops from the ocean of devotional sentiments."
• Purpose: The primary aim of the collection, as stated in the "Nivedan" (foreword), is to preserve and present to the public the rich ancient Jain literature of Stavan compositions, which had become scarce due to the passage of time and changing societal trends. The compiler notes a decline in the depth and spiritual essence of contemporary Stavan compositions compared to ancient ones.
• Jain Philosophy: The text emphasizes the high place of Stotras and Stavan (praise songs and devotional verses) within Jain philosophy and religious literature. It highlights how these compositions offer insights into the qualities of the Sadhus (monks), their pure intentions, and their aspirations. The Stavan's are seen as a means to understand the profound spirituality and poetic skill of the Jain acharyas.
• Structure and Scope: The book includes a detailed table of contents listing the Stavan's dedicated to each of the 24 Tirthankaras, along with the names of their composers. It also features indices based on the authors of the Stavan's, indicating the numerical and thematic progression of the collection. The catalog link further specifies that the collection includes twenty Tirthankara portraits with their verses.
• Illustrations: The book is noted as being "illustrated" (Sachitra - સચિત્ર), suggesting the presence of visual elements, possibly portraits of Tirthankaras.
• Dedication: The book is dedicated to Seth Maneklal Chunilal Shah, J.P., and his wife Smt. Kamalabehn Maneklal Chunilal Shah, acknowledging their encouragement of the author's literary endeavors, especially during challenging times.
• Acknowledgements: The author expresses gratitude to several individuals and institutions for providing access to rare manuscripts and permission to use their published works, including Shri Lachhaji Zabdak, Shri Jinharlsagarsuriji Jain Pustakalay, and Shri Agarachand Nahata.
• Emphasis on Purity: A special request is made to readers and viewers not to disrespect the illustrations of the twenty Tirthankaras included in the book.
• Preservation of Tradition: The compilation is presented as an effort to counteract the trend towards modern, dramatic styles of devotional music and to reintroduce the public to the classical, heartfelt expressions of Jain devotion.
• Future Plans: The author expresses hope for a positive reception, which might lead to the preparation of separate collections of ancient Stavan's related to the 24 Tirthankaras and various Jain pilgrimage sites.

In essence, "1151 Stavan Manjusha" is a significant work for the preservation and dissemination of traditional Jain devotional literature, offering a rich tapestry of spiritual poetry and a testament to the enduring legacy of Jain scholars and saints.